Nile Rodgers on Avicii: “He was one of my favorite people in the world to work with” | DJMag.com Skip to main content

Nile Rodgers on Avicii: “He was one of my favorite people in the world to work with”

The disco pioneer speaks out following the Swedish star's death...

Nile-Rodgers-speaks-out-on-Aviciis-death
Nile-Rodgers-speaks-out-on-Aviciis-death

Nile Rodgers has spoken out about his close relationship with Avicii in a new interview.

In the interview, Rodgers refers to Avicii as one of his "favourite people in the world to work with” mentioning his ability as a “great natural melody writer”.

The disco pioneer also goes on to say in the inerview with Complex that the Swedish songwriter/DJ was “one of the best, if not the best” producer he’s ever worked with.

News of Avicii’s death rocked the music world earlier this month, with the EDM star’s family releasing a second statement last Friday (27th April) implying that he had committed suicide.

Read the excerpt from Complex’s interview with Nile Rodgers below and read DJ Mag’s digital editor Charlotte Lucy Cijffers’ obituary here.


 

Complex: You were very close with Avicii. Because of his passing, a lot of people are now talking about his struggles. But I wanted your perspective on something a little happier: what he was like to work with, and what made him a star in the first place.

Nile Rodgers: “He was one of my favorite people in the world to work with. I mean, we never had a bad word or anything like that. I told him that's impossible. When you're making music, it's about conflict, right? You have an idea, the other person has an idea and you say, ‘Well, wait a minute, what do we change?’

“Whenever he and I did that, it always seemed to make the music better, and it was always just natural. And I know the reason why: because Avicii is such a great natural melody writer that he can write himself out of any corner. So if I came up with some wacky jazz chord changes or progression, he would write some beautiful thing to tie it together. We would say, you know, why did you put a Lydian scale over that? He’d look at us and go, "What?" And we’d go, oh right, he has no musical training. He’d say, "I don’t know man, it just sounds cool," and he’d be right. Honestly, maybe one of the best, if not the best I’ve ever worked with.”

C: That is high praise given your catalog.

NR: “Yeah, no kidding. I worked with a lot of them, and it just came out of him. And he was a step editor, which is really interesting. It’s not like he would sit down at a piano and play some beautiful melody. He would make the melody one note at a time.”

[Read the original interview on Complex here]

*Header image via Billboard Dance. 

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