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False Witness

‘Red Curtain Daybreak’

P.Leone’s label bears False Witness (sorry, couldn’t resist). At first glance this could be written off as just another nosebleed techno four-tracker, but in reality there’s far more at play. ‘Red Curtain At Daybreak’ pits ferocious kicks against swirling trance chords, and the coarse arpeggios of ‘Cruel Optimism’ take that synth-work even further. Then, in the latter half, ‘Devil May Cry’ brings sheer industrial savagery, before Henning Baer introduces a monstrous death march rhythm and subtle acid bleeps on his rework.