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Special Request


Is it a return to process perhaps? Or simply a return to just messing around in the studio and seeing what the fuck might happen? Either explanation has resulted in some of Special Request’s most enjoyable material to date. On ‘SP4NN3R3D’, did he lighten the fuck up, or change the goalposts? Or did I? Irrespective of my monologue, there’s design, offbeat grooves, hoovers and cheap 808 snares aplenty for all to enjoy.