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Tessier Ashpool
Ah shit. Someone just wrote ‘post-grime’ and it’s already started to colour my opinion. As much as I agree, these three tracks from Cassini are driven by the same sort of proponents as the London-born genre — weird stuttery rythmics and overtly accessible laser sounds, it’s still a tag that gives me chills. And it’s only really ‘Fermi’ that sounds at all grimey anyway. The rest is more rolling, and I really do like it.