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Take It All

I dunno about you, but I’ve sincerely missed Scratcha. No one does his ballsy, skewiff brand of dancefloor music because, technically at least, it’s kind of impossible to layer such disparate elements and ideas and have them work in the way ‘Take It All’ does. Distended one note bass lines, diva vocal hooks and a single snare drum every two bars…? Mate, it’s simply very off-key but it’s very on-brand for a producer who’s always been wonderfully different.