Trance - Single Reviews - 536 | Skip to main content

Singles - Trance - Issue 536

Paul Oakenfold

Trance Mission EP 1


Along with some nicely enigmatic artwork, these are the first three tracks singled out from Oakenfold’s revisionist ‘Trance Misson’ album. The ‘Not Over Yet’ reboot is anything but overstated, sinuously powerful and never overly reliant on vocal recognition factor for its kicks. Likewise the bells of Quench’s classic ‘Dreams’ sound daisy fresh and just as welcome. It’s Future Disciple’s drifting horn ride take of ‘Open Our Eyes’ that seals the Money Shot deal though.

Genix & Las Salinas


Vandit Records

Genix & Las Salinas’ last release ‘Say Another What’ nabbed a Money Shot on the smartly original ticket. ‘Arcadia’ is less innovative, but emphatically more beautiful with its beguiling, drifting vocals and melodic thrall. The production quality (pristine and truly ‘wraparound’ stuff) is also that much better. What it loses on invention, to the greater extent it makes up with big stage appeal.

John 00 Fleming & Christopher Lawrence



There’s probably no more stimulating a compound available at Pharmacy than one dispensed by Fleming & Lawrence. Tensile riffs are treated to unhurriedly stretched modulation, which in turn come galvanised by chunky percussion. Raising that pressure further are an Eastern-gazing flute riff and a b-line close to thermobaric. Just don’t look for a lead riff, ‘Predator’s all about the bottom end.

James Dymond

'Siren’s Song'

Who's Afraid Of 138!?

With one every week dropping into the inbox, this was the month that WAO’s release trickle became a flood. The quality threshold’s largely held and with much to pick from, it's James Dymond’s ‘Siren’s Song’ that just manages the chequered flag. Grand Oscar-worthy strings, poleaxing drums, plenty of the titular vocal style and loads of welly in its production V8, this should get the job done.

Robert Nickson pres RNX

'So Called Loyalty'


A very interesting label Colorize is turning into. Along with other comparably fine releases this month (inc. Clameres & Slam Duck ‘Travelling’ & Matheus Teston’s ‘Ritual’), it trades on that nascent 100bpm prog-trance sound. Too fast/intense for lounge, too slow for house, its market is less tangible. ‘So Called Loyalty’ is nothing if not atmospheric though, and that could be all the calling it needs.

Cosmic Gate & Jerome Isma-Ae


WYM Records/Armada

‘Start To Feel’ promised lots of electronic music shades and grades. ‘Telefunken’ is perhaps where that becomes more/most apparent. Likely down to Jerome Isma-Ae’s stimuli as much as CG’s artistic desires, the track is all marching drums, tech-noir effects and one strikingly overt Kraftwerk-esque leadline. Innovative certainly, but no more so than ‘Wake Your Mind’s ‘Nothing Ever Lasts’ or ‘Earth Mover’s ‘Analog Feel’… and that shows progressive form.


'The Chamber (2014 Remixes)'

Discover Records

Inertia — a middle-of-the-last-decade John O’Callaghan/Neal Scarborough project — put out a few very commendable tracks. Here, Indecent Noise and Liam Wilson set about a nip, tuck & re-release work-over on ‘The Chamber’. Less tough than you might expect, Indecent Noise's version does pay plenty of ear service to the zeal-laden riff. Even closer to the bull's-eye, the currently extremely busy Mr. Wilson’s remix is beefier about the drums, with a pleasing sideline in squiggly, squally acid.

ReOrder & Driftmoon

'Together We Are Not Afraid'

Monster Force

Two new threats on the block, ReOrder & Driftmoon’s intrinsic sounds meet head on with ‘Together We Are Not Afraid’. Indeed, nothing to fear as the former platforms the track with a robust collection of drums, bass and techy agitation. Driftmoon’s balmy drop and subsequent exalted riffs are where the magic’s at, though. Intuitive and always seeking that additional thrill, this release is found wanting exactly nowhere!


'When We Connect'

Titan Audio

A new act to Titan, and indeed the trance world at large (though there’s an idle suspicion it maybe something to do with Titan’s boss Akira Kayosa & Hugh Tolland). Whatever, it’s hitting a lot of the right buttons, with a quick-to-the-punch set-up, charging bass, judiciously churned acid and a peach of an Airwave-esque synth to kick if all off.