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Top Ten EP

I ask myself a lot of questions because, hey, I’m curious about a lot of things, but I definitely get the feeling that Keysound do too, because each of their recent releases feels like it’s been sculpted, meticulously, for a purpose. Take Otik’s debut four-tracker for the label: it’s a wonderful exploration of the gulf between techno and dubstep, where clunky, found percussion gets manipulated into dancefloor shapes — AND it’s a killer contribution to the ongoing conversation of what club music should be.