Stoneface & Terminal and Clandestine are a match near alchemic. Fifteen years in and they’re making the best music of their career — subverting, upending and occasionally dynamiting trance tropes at will. With way more groove than is average for a trancer, ‘Berlin 2000’s bass owes a sizeable debt to Harry Thumann’s ‘Underwater’. It’s also big on loud, vibrant percussion and tubular, pull-you-in synths, further folding trance pads and vocal harmonies into proggier sensibilities. Some outstanding music making here.