Everything around ‘Secrets Of The Sahara’'s drop feels wholly geared towards the staging of its drop. The break sounds so wildly epic in scope — full 80-piece NY Philharmonic stuff — that there has to be something else going on here. And indeed, it transpires, there is. It’s Morricone. Not recreated Ennio. Actual Ennio. And it proves that if you want your symphony done right, no one but the master will suffice.