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Nick Callaghan

The Wretched

FSOE Clandestine
On first listen, the most subversive or indeed "Clandestine" element of ‘The Wretched’ appeared to be its title. In terms of feel, tech doominess prevails, with heavy use of reverb, warpy synths, slappy beats and bass, and stuttery, vaguely satanic vocoders. It teases the occasional light-side release, but ultimately never vents, capturing you in its darkly persuasive and thoroughly enjoyable kismet.
7.5