“I read this quote the other day that really resonated,” Arushi Jain recounts over a video call. “It was this idea that, without a practice...
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Results for: Reopening
Dillon Francis steps further into the spotlight with the release of his debut album, 'Money Sucks, Friends Rule'...
It’s the cusp of fall in Los Angeles, and one of the hottest days of the year. The air is thick and heavy; its weight...
It might officially be part of the United States, but Hawaii's Asylum club exists in a magical world of its own...
Hawaii may be America's 50th state but anyone who's been there will agree that it feels like a distant refuge from the US mainland. Two...
Hot Natured have already dented the UK charts and sold out Brixton Academy in their first appearance as a live act. Now, with their debut...
Following the 20-year cycle of cultural revival, it's not just '90s fashions and sample libraries that have come back around onto dancefloors. Buoyed by America’s repackaging of dance music as EDM and pop’s perpetual shapeshifting, house music is finally back at the top of the charts.
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Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
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On her new album for Modern Love, Mexican-American producer, DJ and audio engineer Delia Beatriz, aka Debit, combines ancient Mayan wind instruments with machine learning. Ahead of its release, she records a “pre-hispanic to post/transhispanic ambient mix” for the Recognise series, and speaks to Eoin Murray about DJing for Azaelia Banks, her desire to contribute to the canon of electronic music, and making ambient music that goes beyond “beautiful”
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From the histories of global scenes, sounds and labels, to explorations of music’s power to alter the fabric of society and forge communities, here are...
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Tamsin Embleton was an event booker, promoter and artist manager for ten years before training as a psychotherapist. She's a founding member of the Music...
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Battling cultural stereotypes and lazy genre misnomers, a core set of Mexican artists, based around the NAAFI label and party series, are reshaping the hybrid...
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Across the UK, there's a bubbling scene of young producers and DJs, re-shaping garage for a new generation of ravers. DJ Mag speaks to some...
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Spanish DJ, producer and ARTCORE label founder Indira Paganotto’s irresistible hybrid of techno and psytrance has made her a huge star on festival stages and in superclubs, but her rise to the top has been beset with challenges. Niamh O’Connor speaks with her about sticking to her principles, her love of psytrance, the importance of the underground, and the balancing influence of family
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Dutch duo ANOTR have amassed a huge audience with their emotional house music and incredible club events centred around art and human connection. Ahead of their appearance in Miami at the DJ Mag pool party, they tell Amy Fielding how risk-taking, open-mindedness and collaboration are at the heart of everything they do
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Utrecht's CARISTA is on a quest to bring club crowds together with her irresistible, energising DJ sets. Ria Hylton meets her to find out how her United Identities label is elevating new talent in the Netherlands, and how she’s branching into new areas of music.
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Detroit's DJ Minx has been championing the electronic sounds of her hometown since day one, but has flown under the radar for much of her...
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Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall
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With the release of its first edition – 'For The Mind, Body and Soul' – via Telstar Records in early 1999, the ‘Euphoria’ mix compilation series quickly became one of the most popular and prolific of its kind, launching the big-room oriented trance, progressive and hard house sounds of clubland into the CD drives of thousands. 25 years later, Harold Heath looks back on its legacy, and on how its balance of clever commercial marketing and authentic live energy enshrined ‘Euphoria’ in UK dance music history