The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
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New world order
Glastonbury isn't a festival, it's a settlement. Twice the size of Bath, it's more like a refugee camp for society's arty and most liberal than...
Miami's underground venues
We're all aware of the glitz and glamour of South Beach's many venues, but scratch beneath the surface of the Miami scene and you'll find a plethora of underground dens of iniquity at your disposal. Uptown, Downtown, turn the beat around! These are the coolest, off-the-radar spots worth popping into during WMC...
Copenhagen-based Anastasia Kristensen has rapidly risen through the ranks in recent years thanks to a natural talent for mixing and a keen selector’s ear that traverses...
In the first week of July last year, Anastasia Kristensen arrived in the Serbian city of Novi Sad for EXIT Festival. The gig was to...
Dave 1 and P-Thugg, better known as the sapid duo Chromeo, are about to release their most zestfully slick album to date, ‘Head Over Heels’...
Experiencing Chromeo is like taking a step back in time—but with all the luxuries and comforts of today. It’s in the duo’s music, which takes...
An insight into house sophistication
Nick Wilson is an inveterate crate-digger. There's little he enjoys more than delving in the dusty racks of record emporiums to unearth rich seams of...
100 years of electronic music
In March 1913 Luigi Russolo, the Italian futurist, stormed out of a classical concert in Milan and published an open letter demanding a new form of modern music.
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness
Releasing both hidden gems from the old school and essential new-gen bangers, Deep Jungle has secured a reputation for buy-on-sight junglism. Alongside a mix representing the past, present and future of its catalogue, founder Harmony shares the secret of the label’s success with Ben Hindle
Unorthodox Events and Queer Rave are two club-nights that are creating new spaces for LGBTQ+ people in the drum & bass/jungle scene. Jack Ramage speaks...
Educate, communicate and take action
The latest and greatest DJs and producers rising to the top this month. From hammering techno to trippy deep house, here's April 2019's list of...
The latest and greatest DJs and producers rising to the top this month. From rollicking tech-house, fierce techno and melodic grooves to leftfield experimentalism and jazz, here's...
NASSER BAKER
California-born, New Jersey-based Nasser Baker has been under the tutelage of US house legend Dennis Ferrer for almost a decade. That is a...
One of dance music’s most recognisable characters is growing up. We talk to Seth about the repetitive party lifestyle, being a catalyst for change, and...