Sibel Koçer comes bounding down Kottbusser Tor street when DJ Mag meets her on an overcast morning in July. She’s here to take us inside...
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Berlin-based modular obsessive and Berghain resident, JakoJako, shows Niamh O'Connor around her hardware-heavy studio, the famous local synthesiser store where she works, and her favourite place to grab a bowl of pho
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Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
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Working for free is rife among producers and engineers, with 77% having worked for free in the last 12 months alone. But is it just...
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Tamsin Embleton was an event booker, promoter and artist manager for ten years before training as a psychotherapist. She's a founding member of the Music...
Buzzin' hardcore classic 'Bus It' by Blapps Posse was a riotous, sampladelic mish-mash of hip-house and rave. DJ Mag talks to its key originators, Aston...
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At the centre of Daft Punk’s world-beating debut album lay a tribute to the architects of dance music, titled ‘Teachers’. With the help of Neil...
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Belfast legend and The Night Institute resident Timmy Stewart (T-Bone, Black Bones) steps up with a mix of eclectic rhythm, supercharged industrial flare and timeless...
Northern Ireland’s clubbing scene has quietly been of one of Europe’s most dedicated and prolific of the past two decades. As some of the scene’s...
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Turntablist and producer Jon1st delivers his annual end of year megamix via the On Cue series: a tempo-shifting set of hyped-up breaks, turbo-charged drum &...
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In 1997, Moodymann released his debut LP, ‘Silentintroduction’, via Carl Craig’s Planet E imprint. A compilation of some his best early tracks, the album captured...
We met him in London to talk about his dance epiphany, the importance of staying true to your vision, and giving his fans what they...
“Everything I do, I see myself as a bit of an outsider, I'm not strictly within the dance music world, I'm not strictly within the...
Cover Features
The secret to John Summit's success lies in his work-hard, play-hard mentality, which has led to the former Certified Public Accountant to become one of the most in-demand DJs around. Ahead of his set at DJ Mag's Miami Pool Party this month, Megan Venzin hears his story so far
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DJ Mag's Top 100 Festivals poll returns for its fourth edition in 2024
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The latest and greatest DJs and producers rising to the top this month. From future-facing UKG and electro to funk-infused liquid d&b and warehouse-ready breaks...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today