In a new feature for DJ Mag, writer Matt Annis documents the history of bassline. From its origins in Yorkshire clubs in the late ‘90s...
Search
Results for: Ape Drums
From its '90s beginnings in Yorkshire clubs to becoming a nationwide dance music phenomenon and chart success, the bassline sound has survived and thrived against the odds. Here, to accompany his DJ Mag feature documenting the genre's history, Matt Annis charts the sonic evolution of the sound from its origins to today
In this month's brand focus, DJ Mag speaks with Freddie Herring about his Leeds-based, club-inspired apparel line: etha ravewear
In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...
The United Kingdom of rave returns
House is still topping the UK charts; the EDM beast is mutating and consuming every thing in its path. Never before has there been so...
We shine a light on the names destined to have it large this year...
Last year was the one of many highs and lows. From Brexit to the return of breaks, it had moments to forget and plenty to...
The original electro sound has been seeping back onto dancefloors, whether in the sets of DJs like Helena Hauff and Nina Kraviz or mix-comps by...
Electro inspires a fervid following. The genre is a bubbling underground scene populated by dedicated labels, DJs and diverse producers, scattered across the world, and...
Fake Blood talks to the press for the first time about his new album
DJ Mag quizzed him about his hip-hop roots, graffiti, EDM and his burgeoning soundtrack work for a famous cult horror movie...
The Tidy Boys and their label Tidy Trax epitomised the early ‘00s hard house scene, at one point selling a million records a year. As...
During the early part of the pandemic, DJ and producer ZHU went on a road trip with his bandmates, recording his new album in remote...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Arriving in Miami means a lot to our cover star Eric Prydz – for more than one reason. The man who effortlessly makes underground house...
Going to Miami is a very big deal for Eric Prydz. Two years ago, the last time he was there, his massive track 'Pjanoo' became...
Infusing his art with aspects of his Caribbean heritage, and stories and messages aimed to drive political and social change, London rapper KAM-BU is a...
As the underground drum & bass label celebrates its 20th anniversary, Critical Music founder Kasra records a breakneck mix of tracks from its catalogue, and chats to Jake Hirst about the imprint’s history and constant evolution
Leeds-based rapper ATO uses music to reflect on his life and show an alternative side to the London-centric perception of Black Britishness. Ahead of his...
Swiss DJ/producer Deetron has been a fixture of the world's coolest clubs and labels for years. But with a reputation for deadly, wide-ranging DJ sets...
Sam Geiser has had quite a year. After a decade-and-a-half slowly building from the ground up, now everyone wants a piece. Luckily, he's the kind...