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In this month's brand focus, DJ Mag speaks with Freddie Herring about his Leeds-based, club-inspired apparel line: etha ravewear

Every raver has a story about how they found their place on the dancefloor. Leeds-based Freddie Herring, who runs rave-inspired apparel brand Etha Ravewear, found...

The computer giant announced this week it's developing its own chips for all its hardware

DJ Mag team up with Relentless Energy and LWE to bring you an exclusive live stream from SPHERE, the launch party on Saturday 15th February

Wild Rumpus is just that: an insanely fun, out-of-control party on wax...

The brainchild of DJ Cosmo (Colleen Murphy) the Boston-born, New York raised, London dwelling disco / house music legend, and infamous leftfield guitarist Gary Lucas, who's played with Captain Beefheart, Lou Reed and Jeff Buckley, they make the kind of funky psychedelic rhythms that can only emanate from maverick minds. First single 'Musical Blaze Up' traverses the dub country route, while new cut 'Purple Somersault' is a bizarre and brilliant collision between cranked Kraut-rock drums, wigged surf guitar and scratchy funk. DJmag beckoned Murphy away from her surf board for a minute to talk names, grooves, and grand plans…

So why the name Wild Rumpus?!

"It's from a children's book called 'Where the Wild Things Are' by Maurice Sendak which I loved as a kid and which I read to my daughter. There is a great part of the story where the little boy and his monster friends are about to have a manic dance party underneath a full moon and it says, 'And now let the wild rumpus start'. It just had to be used."

It seems to be quite an unusual hook up, between you Cosmo, and Gary Lucas. How did you come to be working together?

"Gary and I have been friends for nearly 20 years and have talked about working together for ages. I used to do a few different radio shows on WNYU in NYC and had him up when he was relaunching his solo career in the late '80s. As most people in the UK know me for being a 'dance' DJ, many may think it is quite an unusual collaboration. However, most people don't know that I was first and foremost a rock chick and founded the first psychedelic / progressive rock show on my radio station and I was a huge Captain Beefheart fan before house music even existed!"

You seem to have a diverse taste - one minute dubbed out beats and rhymes, the next Krautrock surf music... Is there a grand Wild Rumpus plan?

"Wild Rumpus is about fusing different styles but in a way that works. It's also about having fun and being irreverent. And finally it's about being different. I spend a few hours at the record store and find that 99% of the music to which I am subjected to is derivative. It's so boring. Gary and I both have musically diverse backgrounds and we are able to use our musical heritage in a unique way. This is all music we love!"

What's a 'Purple Somersault'?

"It's a 'term' my daughter came up with. Her favourite colour is purple and 'purple' has also become an adjective that means something that is 'the best'. She likes being flipped upside down and would ask us to help her do an orange somersault, a black somersault (very sinister), a yellow somersault (happy!), etc. But the best was always the 'Purple Somersault'. Also, as this is a surf tune, the somersault refers to the somersaults one does underwater after a wipe-out."

Is there an album in the works? What can we expect?

"There is an album in the works. We have a lot of Gary's guitar tracks that we have recorded and now it's up to me to put it all together so I have quite a job in front of me. Gary is the most original guitarist and can do anything. When we're in the studio it's just so easy but the problem comes with the editing and arranging as sometimes there is almost too much! All I can say about the album is that it will be diverse but always psychedelic and soulful."

What's next for Wild Rumpus?

"Right now we're getting our live show, The Wild Rumpus Experience, together for the summer. We have performed in some wild places including India and are hoping to for some of the UK festivals. We work with visual artist Rob Rainbow who works with The Light Surgeons and Nitin Sawhney amongst others and have also worked with percussionists and a poi fire dancer! We have a show that reaches people on many dimensions so the visual element is really important. We just want to do something that is a bit different."

DJ Mag's new Solid Gold series revisits and examines the ongoing significance and influence of electronic albums throughout history. In this month's edition, to mark...

‘Selected Ambient Works 85-92’ was the creation of the fevered imagination and unique musical mind of Richard D James, an artist who’s gone under a...

Kerri Chandler DJing live

For DJs with a packed touring schedule, gigging at one iconic club after another, finding the time to sit down in the studio can be nearly impossible. But when Kerri Chandler wanted to work on a long-delayed album, he hit on a solution: he’d transform those clubs into temporary studios, creating tracks attuned to each space. The result is ‘Spaces And Places’, and it’s some of his best work yet

“Sorry, it’s a little dark in here. I usually have club lighting on down here, like with rotating heads and stuff,” Kerri Chandler says, with...

With acrobatic club cuts, rave eruptions, and radiant pop manipulations, Edge Slayer crafts an hour of pure dancefloor hysteria for the Fresh Kicks mix series

ADE header

Amsterdam Dance Event returned for its annual industry takeover earlier this month, showcasing more than 1,000 events at over 200 venues. With ADE back in full force post-pandemic, DJ Mag's Amy Fielding, Ben Hindle, Carl Loben, Ria Hylton and Rob Mccallum head out to the Dutch capital to sample the plethora of panels, parties and workshops on offer

While ADE did go ahead in a scaled-down fashion at the end of 2021, it’s widely agreed by delegates at this year’s event that 2022...

Already part of some major DAWs including Logic Pro, AI and machine learning is becoming a staple of music studios through technology from assisted mixing and search...

In part one of our AI Futures series, we discussed the looming threats and opportunities around ‘deepfakes’ or style transfers using AI. We spoke to...

In a few short years, UK drill has changed significantly. After a small number of producers that pioneered the sound left indelible marks on its...

Depending on who you ask, UK drill has two birthdays — when drill came to the UK, and when UK drill began. The first was...

Growth of the festival industry shows no sign of slowing, but the sector faces more issues than ever before. Emissions and waste need urgent attention...

As the festival calendar becomes increasingly saturated, party season never feels too far away. Plans are hatched throughout the year, as WhatsApp groups light up...

One of the most exciting new digital projects to emerge this year, Black Band Camp (blackbandcamp.info) is a volunteer-run, community-driven database for showcasing and directly...

Who runs Black Band Camp?“Black Band Camp began with a core group of friends of DJs, producers and underground electronic music enthusiasts, but we have...

New York’s Baltra left behind a career in the stock market to pursue his real love of music. With his debut album ‘Ted’ showing his...

Years ago, Michael Baltra was presented with a choice of instruments to study, and he decided on the violin. Given the fact that he was...

We meet the Leeds man in London to talk about hardcore history, subliminal messages and breaking free of genre constrictions — and much more...

Reinvention is a tough gig. But if you get it right, a whole new life is possible. No one in dance music's managed this more...

Spanning hard drum, nu-metal mutations, Jersey club and trance-imbued techno, Syn pulls no punches in her frenzied Fresh Kicks mix

“We play a lot of the ‘Hard’ genres,” says Syn of CXNT, the queer party she co-runs in Cork, Ireland. “Hardstyle, hard drum, hardcore, hard...