“If there’s one thing to learn from rave, it’s this: you can do anything, if you do it together.” – Sheryl Garratt, Sweet Harmony –...
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On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped the world of electronic music, both in their...
Nina Las Vegas has cultivated a fierce reputation for herself as Australia’s queen of club music. Hard work is something she’s always risen to, but...
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It's been 10 years since seminal club The End closed its doors for the last time. We speak to the family members, close team, and...
DJ Mag follows the Numbers boss from Glasgow to Glasto to hear about his unstoppable rise....
Jackmaster has hit the big league in recent times. The DJ who started out in Glasgow has now made a name for himself worldwide, yet...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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Team DJ Mag asked DJs featured in our annual Top 100 and Alternative Top 100 polls to vote for their absolute favourite festivals. Collating all...
11. BURNING MAN
12. TIMEWARP
13. CREAMFIELDS
14. MOVEMENT
15. PAROOKAVILLE
16. WORLD CLUB DOME
17. LOVE INTERNATIONAL
18. OUTLOOK
19. FUSION
20. DOUR
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In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...
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Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’
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When Sammy Virji's DJ Mag HQ set went viral last year, it changed the course of his career — but this is no overnight success story. His early bassline explorations and vibrant UKG cuts had already laid the groundwork for his global takeover. Nathan Evans learns more
If anyone is dance music's renaissance man, it's Detroit's Seth Troxler. There's a lot more to Seth than his hedonistic image might suggest, as DJ...
Still bleary-eyed after a night DJing to hundreds who braved freezing January weather to hear him spin on a Wednesday evening in Bristol, Seth Troxler...
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In life’s messier moments, it’s only natural to seek out a place of comfort. On her new ‘Home Music’ EP, the violinist and producer known as Bad Snacks tells the story of how she regained a sense of belonging through soaring instrumentals and a soothing spin on upbeat house
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From AUDRA festival in Kaunas, Lithuania, Martin Guttridge-Hewitt reports on a long-standing, tight-knit and thriving electronic music scene often overlooked by outsiders
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As part of DJ Mag's round-up of all the best in dance music in 2019, and in the 2010s, we decided to spotlight some of...
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Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, São Paulo’s BADSISTA...
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Introducing the artists set to make waves this year: From Jersey club, Afrotech, and hardcore to UK rap, Brazilian grime, Ghanain asakaa and beyond, these are the DJs, producers and MCs pushing tomorrow’s sounds today