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Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...

This is the fourth year that DJ Mag has presented the Alternative Top 100 DJs list in association with Beatport. In 2021, the genres included...

Selections: Carmen Villain 2

In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections. This week, Carmen Villain spotlights lush dub experiments, expressive club beats, intimate ambient music and more

There’s a tiptoe dynamism to Mexican-Norwegian artist Carmen Villain’s fourth album, ‘Only Love From Now On’ on Smalltown Supersound. An alchemical fusion of dub sonics...

For 20 years, DJmag has been in amongst it, at the vanguard of dance and electronic music culture, commentating, conversing and partying within the scene...

By the middle of 1991, the UK had experienced the biggest youth revolution since punk. Acid house had swept the nation in the late '80s...

sbk shot by Sam Singer

In this month’s Meet the MC, Amy Fielding speaks with London-based artist sbk about coming up through the capital’s grime scene, his debut mixtape, and a new creative direction

At just 13-years-old, an MC going by the name of sbk sent an email to Lewisham artist and XL Recordings affiliate, Kwadwo Quentin Kankam, better...

Sedef Adasi standing in front of a grey background holding a blue necklace

Panorama Bar’s newest resident, Augsburg's Sedef Adasi, balances blissed-out house with rave-ready acid, trance and electro in her Recognise mix, and tells Sophie McNulty about her route into DJing, fostering a sense of togetherness through music, and why she's not moving to Berlin

“I couldn’t just be a DJ. For me, what’s most important is that I contribute something to my scene,” says Sedef Adasi. We speak to...

In the UK grime scene, the spotlight has usually shone on MCs. Instrumentals have long remained a niche point of interest, a topic for more...

Who are the producers shaping the sounds of UK rap and grime right now? 2019 seems as good a time as any to be considering...

Photo of a ravers at a free party in a tunnel

Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning

The quest is timeless. Swapping clues with randoms at services. The heartless pulse of the party-line’s engaged tone. The convoys, intrigue, suspense, rumours. The commitment...

We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...

This was the year many dance music scenes, industries and communities started to claw back everything that was lost in 2020. Elusive and secretive UK...

Inspired by the Midwest American raves that first got her hooked on dance music, Chicago’s Eris Drew wants to bring a psychedelic communal energy and...

Autumn has arrived in Berlin, all bright and crisp. Eris Drew opens her windows and the air cuts through the scent of lavender inside. There’s...

In October 2013 London’s best-known record shop, Phonica has turned 10.

Opening a vinyl-only store in Soho just over 10 years ago was seen as a risky move. The area was, and still is, saturated with...

The relationship between dance music and British politics has often been fraught and confrontational. But in the last five years, promoters and politicians have started...

Ever since the late 1980s, UK dance music’s interactions with politicians, police officers and mainstream public opinion have been defined by suspicion, misunderstanding or outright...

Photo of T.williams posing in a white t-shirt and blue baseball cap

Over the past two decades, West London DJ and producer T.Williams has worn many hats, from his roots in grime and jungle through to spells in garage and soulful melodic house. His recently released debut album, ‘Raves Of Future Past’, finds him freed from all limitations, and pays tribute to this wide-ranging career. Here, Ben Murphy speaks to him about writing songs versus bangers, the freedom of expression of the early 2000s era, and how he made his classic track ‘Heartbeat’ with Terri Walker

“That cross-section between a banger instrumental and a nicely crafted song was always something that I really enjoyed,” says T.Williams, reflecting on the kind of...

GALA, London’s first outdoor dance music festival in over 16 months, took place in Peckham Rye Park last weekend. With exceptional programming and an emphasis...

Approaching the gates of GALA, London’s first full-capacity, outdoor dance music festival since the beginning of the Covid-19 pandemic, a familiar feeling emerges. As muffled...

MC Conrad, legendary drum & bass vocalist, dies aged 52

The beloved British vocalist, producer and label founder leaves behind “an unmatched legacy”

Pioneering drum & bass vocalist MC Conrad has died at the age of 52. Tributes to the influential MC, real name Conrad Thompson, began pouring...

A key artist in UK rap’s second generation, Potter Payper emerged from his most recent stint in prison on a tidal wave of creative energy that...

Potter Payper is lucky to be here. How lucky depends on how deep you probe into the many lives he’s lived. Actually, ‘luck’ probably isn’t...