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John Digweed bids fond farewell to The Vagabond in Miami and reflects on rave days of yore while looking forward to his still-flourishing future

John Digweed was DJing long before the acronym “EDM” existed, let alone went mainstream and became the musical backdrop of Generation Now. In fact, back...

Dimitri Vegas & Like Mike are the Belgian DJ/production sibling duo everyone is talking about. DJ Mag grabs a chat with them ahead of their...

American DJs love doing a bit of it. The Dutch are always at it. Danny Tenaglia’s been known to have a go. And lately, if...

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Are you the best DJ/producer who just hasn’t yet been discovered by the mighty Pete Tong to catapult your career into an overnight success? We...

MCs were often maligned in the early days of drum & bass, but nowadays it's pretty much universally accepted that a renegade mic-spitter is a...

“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” 
Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.

Saul talks about his new album, collaborations and a hatred of pirates.

Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.

Funk-dripped drum & bass head plays us his most inspiring tracks

Always that most steadfastly independent genre, today drum & bass is splintered into a panoply of micro camps. In one corner, the giant, fizzy-pop electro chords and high fructose rushes of labels like Hospital; in another, the clipped, dark minimalism and sub bass caverns of its most underground soldiers, the Critical crew.

Sound Factory legend talks voguing, Madonna and his European tour

Across Paris, London and New York, the sound of ballroom is again infiltrating every area of dance music, from Vaggio's 'Don't You Want Some More'...

It first happened at a media dinner about five years ago. I was sandwiched rather uncomfortably between two older international journalists — one from Amsterdam...

The Dutchman delivers his most ambitious album yet...

 

Ferry Corsten returns to his uplifting trance roots with an immersive multimedia project that explores fundamental questions about humanity and the galaxy we inhabit...

Magda talks women in dance music, new event series PERM and her just-launched tequila brand...

Words: DANI DEAHL Pics: CORNELIA THONHAUSER & LEANDRO QUINTERO

We meet the elusive Glaswegian artist — and a host of his close confidantes — to talk about his new album, how the Glasgow scene...

Master of futuristic electronic sounds Rustie is back with a new album. Last time with 'Glass Swords' he changed the game, and his new one...

We hook up with the Dutch teenage hotshot ahead of an appearance at Ultra in Miami...

Across the world right now are thousands of 17-year-old kids dreaming of making it big in the gold rush days of EDM, dance music's biggest...

On the history of dubstep and 'Fabriclive 61'...

Pinch, aka Rob Ellis, boss of the trail-blazing Tectonic Records, is one of a few heads in a unique position to dissect the...

She's built a rock-solid unit that's celebrating a decade of electronic music brilliance this year...

It’s the 1st May. ‘May Day’ public holiday in Berlin, traditionally the time when the city transforms from the grey, oppressive bleakness of its...

the 1985 music logo on a black background

1985 Music is one of the most consistently excellent labels in bass music. Helmed by drum & bass maestro Alix Perez, it’s not only survived but thrived since he moved to the other side of the world from its core fanbase, thanks to his laser-focused approach to A&R and design. Here, alongside a mix from Perez, Ben Hindle learns about his winning formula

When Alix Perez takes to the roundhouse stage for the closing set of his 1985 Music party in January, it’s a landmark moment or both...