You might expect Abra Cadabra’s debut mixtape to rely on the high-energy style of UK drill that racked up millions of views on 2020 singles...
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Results for: Inti Fest 2013
Jon Carter’s Monkey Mafia project is back
Jon Carter, one of the ’90s dance scene’s most-important-but-oft-overlooked DJ/producers, has rebooted his much-missed Monkey Mafia project, with a cavalcade of new edits and...
Recording techniques for artists on any budget revealed by Los Angeles producer, vocalist, and multi-instrumentalist, Justin Taylor Phillips, aka Crywolf
One never knows when or where creativity is going to strike. Limiting creation to the studio is confining - you really want to be able...
Features
Irish artist Lighght records an immersive mix of ambient electronics, field recordings, traditional folk and R&B edits, and speaks to Eoin Murray about his organic...
Dubstep original will never turn his back on the sound that made him
As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.
Features
From back-to-back travel and navigating unknown places, to the thrill of peak time raving and the low of the next day, touring DJs lead lives...
We've switched up our end-of-year coverage this year. Instead of ranked countdowns, we've asked 40 contributors to pick their favourite albums, tracks and compilations from...
Opinion
The gatekeeping around DJ tech has to end...
Picture the scene: You’re wrapping up an incredible set, outstretched arms are begging for sweaty high-fives from the packed dancefloor; your plus-one's grinning wildly, eyes...
Features
Berlin and Manchester-based experimental electronic duo Space Afrika explore inner space on their incredible new album for Dais Records
We meet the elusive Glaswegian artist — and a host of his close confidantes — to talk about his new album, how the Glasgow scene...
Master of futuristic electronic sounds Rustie is back with a new album. Last time with 'Glass Swords' he changed the game, and his new one...
Features
With over 50 cuts of exemplary UK rap, drill and grime, producer and Croydon FM resident Nammy Wams steps up for the Fresh Kicks mix...
Features
Every era of British dance music has its myths and over-simplified narratives — hell, even little known local scenes have urban legends. Below, Matt Anniss...
DJ Mag visits Time Warp to see if it's still got it
Back in the early days of Time Warp, the organisers faced some scepticism from the community of Mannheim about an annual all-night rave...
News
The Ibiza superclub tops our readers' poll of the world's best clubs for the first time
Features
33 years after its release in 1989, Larry Heard’s debut album as Mr. Fingers is a profoundly moving document of timeless electronic music, brimming with tracks of unrivaled beauty from the then-young world of house
Arturia Sparkles Once Again
Arturia is a name well known in the studio community as a company that makes some of the most authentic and widely used software versions of classic synthesisers as well as hardware that has a habit of combining classic old school sounds along with sounds that are bang up to date with today’s cutting edge genres.