“There were times, I can’t do it now — don’t even ask me — where I ran up walls and did backflips.” On what feels...
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Marcia Carr is into her fourth decade behind the decks and has seen many trends come and go in that time. Throughout, she’s stuck with what truly moves her: an assortment of Black music from jazz, funk and boogie to gospel house, broken beat and beyond. She’s thought about giving up DJing on more than one occasion, but — driven by passion and faith — is now enjoying a well-deserved moment in the sun. Alongside an uplifting On Cue mix, she tells Ria Hylton her story
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The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...
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In DJ Mag's April music columns, Joe Roberts, Carl Loben, Shiba Melissa Mazaza and Layla Marino spotlight topical sounds from around the world
Andy C explains how he's always kept the faith with drum & bass...
“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...
It took decades and many mutations for dance music to develop into the genres we know today. Here's what happened before DJ Mag was born...
“In the beginning there was Jack... and Jack had a groove!” So the old Mr Fingers track goes, but of course music made for dancing...
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From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness
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Turntablist NikNak has a unique style, cutting and scratching field recordings and samples into ambient tracks — but her latest album finds her leaning into the dance music you might hear in one of her club sets. Ben Murphy speaks to her about Afrofuturist sci-fi, trip-hop, pop, and why she loves found sounds
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In the early ‘90s, dubplates, exclusive early pressings of unreleased music, fuelled the buzz around DJs in the emergent jungle scene. In an excerpt from...
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Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2020
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Miami bass and electro innovator Danny Daze takes DJ Mag’s Megan Venzin on a tour of his home studio and some lesser-known pockets of his hometown, and chats about his Cuban-American heritage, and mentoring the creators of South Florida’s next big sound
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The raucous rhythms of Jersey club have been everywhere lately, and UNIIQU3, aka the Jersey Club Queen, is one of the main reasons why. Bruce...
His undying love for garage kept it alive during leaner times, and as his recent 24-hour set for Cancer Research on Boiler Room showed, his...
Dressed in black t-shirt and cap, garage don DJ EZ stands in stark contrast to the bright white walls of the south-east London studio that...
The beckoning stars of 2016
From soot-soaked techno to day-glo grime — jackin' house grooves to colourful drum & bass jams — the future is looking bright for dance music...
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Using data from voting in this year’s global Top 100 DJs poll with a genre filter based on insights and data from Beatport, we present...
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With the release of its first edition – 'For The Mind, Body and Soul' – via Telstar Records in early 1999, the ‘Euphoria’ mix compilation series quickly became one of the most popular and prolific of its kind, launching the big-room oriented trance, progressive and hard house sounds of clubland into the CD drives of thousands. 25 years later, Harold Heath looks back on its legacy, and on how its balance of clever commercial marketing and authentic live energy enshrined ‘Euphoria’ in UK dance music history