When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...
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The trap phenomenon explained
Trap is the slow-rolling, synth-heavy, snare-snappin' sound that's swept underground dancefloors and stadiums alike across the US and Europe. But what is trap? Is it a genre of its own? Where does it come from? Why's it so popular — and why's it hated in equal measure? Does it have a future? Danna Takako investigates...
2012 Miami Listing's
Yup, it's that time again — all eyes on South Beach. The East Atlantic coast of Miami, USA is braced for another infiltration of dance...
Whether you call their music Dirty Dutch, the Dutch Sound or just Dutch house, the main players from Holland's house scene such as Afrojack, Chuckie...
The Dutch, in case you hadn't noticed, are taking over. Following years in which the country's trance DJs have occupied the upper echelons of DJmag's...
As DJs, producers and labels all get their biggest musical bombs ready for Miami’s annual musical showcase, DJMag looks back at the history of Big...
Is it the dance music equivalent of the Holy Grail or a merely an empty, outdated myth? That’s the question hanging over the concept of...
The Andy Warhol of dance music and self-proclaimed Mayor of Williamsburg, Larry Tee injects attitude into electro-house with his new album
Cruising over the Brooklyn Bridge away from Manhattan’s lofty skyscrapers and towards his home in Williamsburg, Larry Tee and his entourage are discussing an important...
Features
Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies
Cover Features
When Sammy Virji's DJ Mag HQ set went viral last year, it changed the course of his career — but this is no overnight success story. His early bassline explorations and vibrant UKG cuts had already laid the groundwork for his global takeover. Nathan Evans learns more
Cover Features
Copenhagen-based Anastasia Kristensen has rapidly risen through the ranks in recent years thanks to a natural talent for mixing and a keen selector’s ear that traverses...
In the first week of July last year, Anastasia Kristensen arrived in the Serbian city of Novi Sad for EXIT Festival. The gig was to...
A guide to dance music's pre-rave past...
We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...
Check out the latest album reviews by DJ Mag below!
Artist: Floating Points
Album: Elaenia
Recording Label: Pluto
Rating: 8.0
Sam Shepherd is a genius. Not just musically — although we'd be inclined to argue...
Leftfield beatsmith on his his funky new library compilation.
You know how it is. That epic, hip-hop crime drama series you’ve been directing is almost finished. But you just can’t find the right track...
Features
Steve Lawler’s electric VIVa Warriors parties gave Sankeys Ibiza the boost it needed last summer, and this year he plans to build further on that...
For many DJs, a residency at one of the major clubs in Ibiza would be a sign that they'd made it and entered the major league. To maintain that residency for well over a decade would be their dream come true: job done. But for Steve Lawler, while he’s loved dining out at dance music’s top table for such a long stretch, last year saw him leave his long-running residency at Space.
Which tracks would these DJs love to find at the WMC Record Fair?
As part of the Miami Winter Music Conference, organisers are holding a gargantuan record fair chock full of plastic to get collectors drooling. It...
Features
The release of Beastie Boys’ fourth album on 31st May 1994 signalled a new era not just for the New York trio, but for music at large. Fusing sampladelic hip-hop, punk and unruly rap rock with brazen stylistic experiments, it set a refreshingly eclectic tone after a decade of genre tribalism, and altered perceptions of the group on both sides of the Atlantic. Here, Ben Cardew learns how