This feature was originally published in 2019 for the 25th anniversary of ‘Dubnobasswithmyheadman’ In 1994, live performances by UK dance acts were big news. Electronic...
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Released on 24th January 1994, Underworld’s third album (and first with DJ Darren Emerson) blended outlandish art-rock ideas with singular takes on house, techno and ambient music. Here, Ben Murphy reflects on its genre-fusing legacy
We explore the implications of the fire at Apollo Masters and ask, 'What's the future of vinyl production?'
A trained jazz musician, bandleader and DJ, Emma-Jean Thackray couldn’t find a home for herself and her music in more established jazz spaces, so she...
The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...
It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...
DJ Mag Ibiza meets ONYX founder, label boss and techno DJ Mikaela to talk all things Ibiza...
Techno line-ups don’t come much bigger than Mikaela’s brand-new night ONYX, taking over on Mondays at Space throughout the 2016 season. As the name would...
Damian Lazarus's rebel house scallywags descend on Downtown Miami for some depraved after-hours wrongness at their Get Lost party. A 5am -...
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
One of the world’s great party cities, Berlin is facing up to the COVID-19 pandemic in its own unique way. How are the clubs getting...
Gelendzhik, Russia-based DNO Records signee Kercha records an hour of deep, atmospheric dubstep for the Fresh Kicks mix series
Tiffany Calver is redefining the role of the rap DJ. As well as helming the influential Rap Show on BBC Radio 1Xtra, she hosts club nights, runs her own label, and DJs for superstars. But, as she reveals to Christine Ochefu, her journey to the top hasn’t always been easy
Yosh records an hour of thumping UKG, breaks and acid for the Fresh Kicks mix series, and chats to Oli Warwick about his life in...
Aslice, a new service founded by DVS1, asks DJs to donate 5% or more of their fee to artists whose music they play