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There is no denying that Darius Syrossian does things his own way. In the modern world, even the freshest faces in the scene have managers...

French production duo Amine Edge & DANCE coined the phrase “G house” to describe their low-slung, tough and funked-up take on dance music. Initially drawing...

Whenever bass heads gather to pick over the new blood pushing drum & bass right back on top, Dub Phizix is one of the few names everyone can agree on. Over the last two years the Manchester-based producer has had an insane string of hits, including the filthy, ubiquitous bashment 'n’ bass bomb 'Marka' (alongside Skeptical and MC Strategy) — which burst out of the scene and rampaged into record boxes worldwide.

When various music circles started buzzing in early 2010 about a Brooklyn duo that fused elements of the American jam-band aesthetic with ecstatic trance, we approached with due caution. Fast-forward over the past three years and, what could have potentially gone so wrong has gone so right.

In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.

Let's make no mistake, Ibiza is all about the parties, but eventually 36-hour days and enough vodka limons to fill up a bath tub can...

 As a crusader for social justice, Germany’s Monika Kruse brings much more than techno to the global dancefloor. From Munich to Miami, her mission...

In just a short few years, Berlin-based, UK-born DJ/producer Jenagan Sivakumar AKA Cressida has become a vital name to know in Europe’s hard-edged techno sphere...