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A FEW WORDS FROM CLAPTONE...

“What time is it and where am I?” These are questions I find myself asking repeatedly lately. Yesterday, I flew...

One of the most innovative, groundbreaking producers in electronic music, Squarepusher pushed the jazz/jungle fusion envelope into outer space in the mid-'90s with his 'Squarepusher...

It could have been his junglist garage pastiche ‘My Red Hot Car’. Or it could have been the burning 303 d&b of ‘Vic Acid’. In...

On the eve of the label's 100th release, we talk to Romboy about turning his back on the mainstream and returning to his roots, his...

Marc Romboy is one of the most prolific and diverse DJ/producers around. From his early '90s house beginnings through a spell in pop music and...

We sit down with the Dutch Metalheadz producer...

Teije van Vliet’s alter ago, Lenzman, is having a hard time getting to the United States. The 36-year-old Dutch DJ/producer, who is releasing his debut...

Dutch trio Noisia might have the studio skills to soundtrack the increasingly sophisticated world of video games, but with their latest EP they're also on...

Noisia’s hometown of Groningen in The Netherlands has a population of fewer than 200,000. This number is half of the Insomniac-reported total attendees over the...

We talk to DAM FUNK about musical evolution, how music can offer escape, and Los Angeles' distinctive sound...

 

Amen, hallelujah and you’re absolutely goddamned right: Damon G. Riddick AKA DAM FUNK is spot on in both his diagnosis and proposed curative to...

MCs were often maligned in the early days of drum & bass, but nowadays it's pretty much universally accepted that a renegade mic-spitter is a...

“There is no other music in the world where an MC stands on the stage for an hour and continuously sprays lyrics with such clarity and power over so many frequencies,” Eksman, one of the d&b scene's foremost MCs, tells DJ Mag. “The life and evolution of the drum & bass MC has grown from strength to strength over the years, and I have no doubt that down the line many more great things are in store for the future generation of MCs in our music.” 
Undoubtedly so. The role of the drum and bass MC has steadily progressed simultaneously with the scene it resides in, although in the early days MCs experienced negativity from some DJs. But the MC has fought for its corner, and now overwhelmingly basks in the same golden glory as the DJ.

Saul talks about his new album, collaborations and a hatred of pirates.

Anonymity’s quite the fashion these days. Hand-stamped white labels from big-name producers emerge every week, with press releases proclaiming artists free from the shackles of fame, whose metaphorical masks let them experiment with sounds bereft of preconception. Which is all well and good when you’re knocking out short-run 12”s of faceless techno.

On Cue is our flagship mix series, celebrating the pivotal DJs and producers whose influence has shaped and adapted the world of electronic music, both...

Marlon Hoffstadt’s ethos when it comes to the club is pretty simple. Turn off your phone, savour the moment, communicate through the music on the...

Ahead of a new tour and album, the visionary Manchester crew recall the making and impact of their acid house classic...

Graham Massey and Andy Barker take their places at a table in the first floor restaurant at Manchester arts institution HOME, just a stone’s throw away...

We meet the Indian DJ causing a riot...

The fortunes of Niles Hollowell-Dhar, aka KSHMR (pronounced ‘Kashmir’), have skyrocketed since he adopted his chosen moniker, with a nod to his Indian heritage. The...

A gospel trained singer, producer and musician raised on funk, He's a true star in the making...

There's nothing ordinary about Seven Davis Jr. Unlike the balding DJs you sometimes read about in these pages (he doesn't even DJ), he's not only...

There are few artists that have made as deep a mark on the landscape of UK music as Dego and Kaidi Tatham.

Traversing through the thick discographies of Dego and Kaidi Tatham renders a fascinating connect-the-dots maze of London music history, with twists and turns of different...

Daniel Avery in black and white looking at the camera in a big fur coat, white shirt and black tie

Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall

It’s a Monday morning, and we’re sitting in the garden of a modest café in Newington Green, North London. Outside, the final rays of summer...

The cover of New Order's Technique on a light blue background

Released on 30th January 1989, New Order’s fifth album is a sun-flushed pinnacle of dance rock, directly inspired by the hedonistic energy of Ibiza’s burgeoning club scene of the time. 35 years on, with the help of the album’s engineer Michael Johnson, Ben Cardew reflects on its legacy, and its influence on the acid house era

If you want to understand British music’s generational leap from punk to acid house, there is no better lead than New Order’s ‘Technique’. Released on...