Black Science Orchestra founder Ashley Beedle mulls over last year’s activity and bursts into laughter: “I went to the doctor to get my COVID jab...
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Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...
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Street-hop is a sound from Lagos, Nigeria that mutates as it moves between different neighbourhoods; creating new beats, themes and dance crazes as it goes...
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Since its inception in 2016, Dublin Digital Radio has become a vital community outlet for many Irish DJs and producers, and has been of added...
A staple of Bristol’s hybrid bass/techno scene, Hodge has begun to branch out in recent years, resulting in a stunning debut album, ‘Shadows In Blue’...
Francesca Lombardo may have a background in classical, but it’s as a techno and house DJ that she tours the world. Ahead of her debut...
First thrown into the global spotlight in 2011 as Crosstown Rebels’ “first lady”, Francesca Lombardo has, over the last seven years, confirmed her standing in...
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Brandon Wisniski has refused to let anyone stifle their “batshit crazy dream” of becoming a pop culture icon. Now, as Megan Venzin discovers, the queer rapper and producer known as Wreckno is breaking boundaries and fostering inclusive spaces so others like them can reach the stars
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The flamboyant electronic sound of San Francisco’s dancefloors soundtracked gay liberation in the '70s and '80s, even as its community faced decimation as a result...
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Independent record labels are thriving by adapting to new models and branching out into management, distribution, publishing and clothing. DJ Mag finds out more...
If there’s any sector in dance music that has had to be genuinely run ‘for the love’ and ferociously adapt to survive the music industry’s...
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Ariel Zetina’s DJ sets and productions have earned her a residency at Chicago's legendary Smart Bar, and seen her release EPs on labels like itsfemmeculture...
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Meet the MC is DJ Mag's interview series, getting to know emerging MCs on the electronic music scene. This month, Felicity Martin catches up with...
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Robin Campillo's 120 BPM is a film that shines a light on the tireless work of AIDS activists, ACT UP, in early '90s Paris. Arnaud...
The early 1990s were a pivotal time for the influential underground movements of Paris. Culturally, socially and musically, communities grew within the clubs and social...
With his latest album, the artist proves his genre-defying feats have only just begun...
Alexander Ridha loves sound. He uses the word 45 times in 62 minutes of conversation. That’s once every 82 seconds, if you’re counting. “My...
Another year, another fantastic Outlook!
Every year, 16,000 or so bass music fans make the pilgrimage from all over the world to a small coastal town in Pula, Croatia for...
The parties not to miss at ADE 2014
Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...
Signed to Digital Soundboy, stepping into Annie Mac’s shoes, and getting ready for a crazy summer of festival appearances, B.Traits explains how a Canadian country...
In the music industry there are two types of meteoric rise. One is a scary, Susan Boyle-shaped process, where the basking lizard kings of pop pluck an unknown, polish them dumb, tell them what their new name, hairstyle and personality is, and thrust them mercilessly into the light, there to cavort for our pleasure.