Daft Punk died twice. On 9th September 1999, according to legend, a studio accident killed off the real-life Thomas Bangalter and Guy-Manuel de Homem-Christo, leaving...
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Secret Solstice festival sweeps us across Reykjavík and into Iceland’s wilderness on a groovy trip of unimaginable extremes...
“HOLY GOD, IT’S FREEZING!” We aren’t sure who screams that line. Could be us. Most probably is. But regardless of whose mouth utters the...
For a special roundtable discussion ahead of their HYTE residency...
Loco Dice, Pan-Pot and Chris Liebing are posing side-by-side on the rooftop of luxurious high-rise hotel The Ibiza Gran. It’s not often that the three...
Ed Rush & Optical are still big in the game. They may have gone through fatherhood and other projects individually, but when they come together...
Spend any amount of time with Ed Rush, be it five minutes or five hours, and he won’t stop talking — and not for one...
Christian and Steve Martinez are proof that the family that plays together, stays together.
words: LILY MOAYERI pics: ANDREW COTTERILL
An impenetrable gate sits atop the steep inclined driveway of a Beverly Hills mansion, one in that city’s famed...
Jungle Brothers 'I'll House You' – produced by Todd Terry (Idlers, 1988) The JBs essentially added a rap to Todd's early house classic 'Can You...
Todd Terry started DJing around his home city of New York in the mid-'80s. “When I started — around '84, '85 — I was just...
<p>Hercules & Love Affair’s new album is a neo disco, four-to-the-floor opus </p>
It might be a long time since the word discotheque was shortened to ‘disco’ and nightclubbing became ‘clubbing’, then ‘raving’, but in all that time...
Hercules & Love Affair’s new album features songs about heartbreak, love, freedom and feminism.
It might be a long time since the word discotheque was shortened to ‘disco’ and nightclubbing became ‘clubbing’, then ‘raving’, but in all that time...
In the star wars of techno, Seth Troxler has proven himself the master more than once.
Last time DJ Mag caught up with Seth Troxler in an official capacity, it was around the pool at our 2010 party in Miami. Then...
There are few artists that have made as deep a mark on the landscape of UK music as Dego and Kaidi Tatham.
Traversing through the thick discographies of Dego and Kaidi Tatham renders a fascinating connect-the-dots maze of London music history, with twists and turns of different...
Features
Sheffield's Cabaret Voltaire were way, way ahead of their time.
Neil Kulkarni talks to founder Richard H Kirk about apathy, necessity and house music...
Chicago trio on their b2b2b tour
Three of Chicago's most respected DJs, they're repping real house music harder than ever in an age of commercialisation and corporate EDM. Touring together as Back to Back to Back, we thought it was time to pick their brains about their Chicago beginnings, the switch to digital, the US dance boom — and where they're at now...
We catch up with the hardest working man in dance to talk his rise to fame, his Revealed Recordings label and his bid for world...
“After I do a gig, if I’m in a party mood, it’s my tour manager’s job to remind me that this is my job,” says 25-year-old megastar DJ Hardwell. “Even though when I DJ and travel it doesn’t feel like a job. It feels like a dream come true.”
Features
With over 50 cuts of exemplary UK rap, drill and grime, producer and Croydon FM resident Nammy Wams steps up for the Fresh Kicks mix...
Features
Daft Punk split up three years ago, but thanks to a near-constant stream of archival video releases, album reissues, merch drops and more, the robots feel more present than ever. But what are the limits to one of dance music's most iconic acts' prolific post-split existence? Will it start to wear thin? And what does it all say about the brand-focused and content-driven ecosystem we find ourselves in today? Ben Cardew dives in
Features
Detroit saxophonist, producer, and vocalist Norma Jean Bell is responsible for some of house music’s most glorious moments, and has worked alongside the likes of Moodymann, K-Hand, Ron Trent and George Clinton. Her full-length opus, 'Come Into My Room', released in 2001, proved that she really is “the baddest bitch in this room”