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Music and vegetating on the couch all day watching Netflix are undoubtedly two of life’s greatest pleasures. And as you might expect, Netflix is no...

Stems are the latest bit of tech designed to change the way DJs and producers play live. But there's been some divided opinion as to...

“Six nominations, no Brits for CD,” sang Craig David at the 2001 Brit Awards. It's a moment that sums up the rollercoaster ride of...

This Take 10 feature could almost have been invented to showcase the Optimo duo's magnificently eclectic influences. Renowned for their legendary Sunday night sessions at the Sub Club in Glasgow in the nineties and noughties.

In the mid-‘90s, drum & bass was the most futuristic, kick-ass, innovative UK-derived music around. After a gestation period in the underground, breakbeat science exploded into the mainstream, although that led to assorted TV ads and theme tunes and suchlike co-opting a d&b element to them. But because the scene itself was controlled by the DJs — Bryan Gee, Fab & Groove, Goldie, Hype etc — it was able to be steered back underground, so that by the end of the 20th century d&b was largely associated with the dark tech-step sound of No U-Turn et al.

Paul Nicholas Fisher is a straight up Strayan. True blue, down to earth, no messing about. He loves his music, he loves to surf, he...

It first happened at a media dinner about five years ago. I was sandwiched rather uncomfortably between two older international journalists — one from Amsterdam...

As you’ve doubtless heard, dubstep is dead in the water. Cursed with a lethal mix of commercial success, mass popularity, a huge internet presence, countless sold out raves, the scene is, as any fool can tell, totally knackered. Somebody needs to pause and tell Skream this quick, because from where he’s standing, the world has never looked better. Currently on a short solo tour of the States, the man who describes himself as having “dubstep as my blood group” has been gleefully pushing the boundaries of the sound, chopping up half speed snare smashes and bully boy basslines with taut explosions of house, disco and techno, knowing full well that rather than destroying the scene he loves, he’s blowing it wide open.

“When you’re drum & bass, you really are — you get it, and there’s nothing else like it. You can’t get assimilated into 4/4...

Exit isn't a festival, it's a movement. Held each year in a gargantuan fortress that sits atop Serbia’s second capital of Novi Sad, Exit is...

Former Dash Berlin member Jeffrey Sutorius, has issued a second statement regarding his split from the longstanding trance group in June this year.

At the...