Digital distribution is the process of releasing your music to various digital streaming platforms (DSPs) and services. In the past, distributors would take care of...
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With his DJ sets and productions that meld grime, techno, jungle and avant-garde experimentalism, Mumdance is one of the most original artists in UK dance...
Few DJs represent the spirit of UK dance music like Jack Adams does. A lifelong student of hardcore, drum & bass and grime, he is...
From Ibiza to Berlin to Oslo, Germany’s Anja Schneider is embracing her newfound freedom with a brand new label and her first solo album in...
“Try this, it’s delicious.” Anja Schneider scoops a forkful of melon and cheese onto a plate, pushing it across the table with a nod. The...
Dirtybird take their low end theory on the road
If there’s been one trend that’s wheedled its way into all corners of electronic music in the last two years, it’s bass. Indecent ladles full of the stuff, speaker stacks positively groaning with the strain of lowdown, filling-rattling subsSan Francisco’s techno overlord Claude VonStroke is incubating a nest full of underground club killers in 2012, set to hatch and dive-bomb clubs Angry Birds-style
Features
When starting out in the industry, musicians and producers have what can often seem like an insurmountable number of new skills to learn outside of making music. With seemingly countless distributors offering widely varying features and products, choosing how to get your music on streaming services can be confusing. This guide seeks to demystify one of the most confusing aspects of releasing music
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Ireland’s venues and event promoters have struggled under archaic legislation for years, but thanks to the work of the Give Us The Night campaign, it...
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Some high-profile DJs have been criticised for playing big, crowded legal shows — dubbed ‘Plague Raves’ — in Europe during the COVID-19 crisis. Some have...
We meet futurist techno maestro Richie Hawtin for our ADE issue...
Electronic music’s explosion owes a great deal to futurist techno maestro Richie Hawtin. Not only has he made and played some of the most forward-thinking...
Features
The Avalanches’ debut ‘Since I Left You’ is one of electronic music’s all-time classics, a sample-heavy travelogue which charmed the globe in 2000-01. Then they...
He’s spent the last seven years honing an undeniable sound. Now Tchami will unveil his first full-length album, ‘Year Zero’
Features
Every era of British dance music has its myths and over-simplified narratives — hell, even little known local scenes have urban legends. Below, Matt Anniss...
Features
As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...
Features
The UK festival landscape is in crisis, with over 40 events cancelled ahead of this year’s season according to recent figures from the Association of Independent Festivals. Amidst the insurmountable rise in the price of production, and the ongoing cost of living crisis, how are organisers and punters feeling about the current situation? What has caused it? And what solutions are being considered that will help us save the sector?
Features
The funding of independent radio stations is always precarious, but the current cost-of-living and energy crises threaten their survival. Following the shuttering of Worldwide FM and Bristol’s SWU FM, we look at the challenges facing these beloved cultural lifelines
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Award-winning radio presenter and proponent of the diversity-focused Radio Silence movement, Kay-Lee Golding, explores the lack of Black representation in mainstream UK radio
Features
The CruCast collective has injected new life into bassline, playing massive venues, touring the world, and spreading positivity. As the major players tell DJ Mag...