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Solid Gold - Chemical Brothers 'Come With Us'

‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career

The Chemical Brothers entered the new millennium looking tired. Their third album, 1999’s ‘Surrender’, featured massive hits in ‘Hey Boy Hey Girl’ and ‘Let Forever...

There’s been an explosion of tools for extracting stems in recent years. DJ Mag’s digital tech editor Declan McGlynn outlines five of the best below

After being the holy grail for producers and DJs for decades, over the past few years, it’s become easier than ever to separate stems from...

Kiwi is the former photographer who now rubs shoulders with Duke Dumont & Andrew Weatherall. We sit down in Dalston to chart his rise...

Making it as a successful DJ is a tough gig. It takes commitment, passion and most of all, persistence. No one knows this better than...

DJ Mag spends an action-packed weekend with Len Faki...

“There he is – Len Faki! It's time to go to the stage!” exclaims one of the harried stage managers around me. It's a beautiful...

Jack Revill's love affair with decks goes back to his days kicking about Glasgow...

Around the time his mum passed away, Jack Revill met Calum Spencer on Byers Road in Glasgow. “Are they real vinyl records?” he asked in...

Dash Berlin is the best bet when it comes to Sin City...

The sheer scale of what is happening in Las Vegas cannot be understated when it comes to the EDM revolution. After all, Sin City isn't...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

The latest and greatest DJs and producers rising to top this month. From new wave drum & bass, breaks and techno to experimental pop and...

Missouri-based Duncan Winslow is a busy man; not only a musician, he runs a production YouTube channel and is a middle school orchestra teacher. He...

Analysing the key trends from the voting in this year's DJ Mag Top 100 DJs poll, in aid of Unicef

The Covid pandemic has adversely affected a lot of elements of the international electronic dance music scene, but it doesn’t seem to have dented the...

Get acquainted with West London DJ and radio host, Ellie Prohan

Using data from Top 100 DJs voters and house/techno Beatport purchases, we present the Alternative Top 100 DJs 2019 

Last year, we launched the DJ Mag Alternative Top 100 DJs poll, in association with Beatport, generated by combining Top 100 DJs voting data with...

The man, the myth, the legend...

One of the great characters in global electronic music, Mr C is a visionary, artist, actor and activist. He’s been prominent in the underground for...

Daniel Avery in black and white looking at the camera in a big fur coat, white shirt and black tie

Daniel Avery has made the defining album of his career to date with ‘Ultra Truth’. Incorporating everything from techno and ambient to jungle drum & bass, it features contributions from SHERELLE, HAAi and Kelly Lee Owens, among others, and is simultaneously raw and beautiful. Anna Wall meets him in a North London café to talk about collaboration, staying true to himself, and the enduring influence of Andrew Weatherall

It’s a Monday morning, and we’re sitting in the garden of a modest café in Newington Green, North London. Outside, the final rays of summer...

London underground sign that reads ‘what is the future of London clubbing?’

Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?

It’s an early August afternoon in Tottenham, North London. Nestled on an unassuming industrial estate on Markfield Road, beautiful floor-to-ceiling record shelving is being assembled...

After hitting creative block, techno DJ and producer Chris Liebing made some big changes to his life and way of working. Now he's made the...

“You could mistake me as an older guy who is already past his best times,” says Chris Liebing, who is 50 in December. And he’s...