“Touching Bass is a musical movement,” Errol Anderson tells DJ Mag. “And when I say movement, I’m thinking of forward movement — energy.” Alex Rita...
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Seoul’s Closet Yi records a cosmic mix of propulsive prog house, dreamstate techno and electro for the Fresh Kicks series, and chats to Eoin Murray...
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Meshing dancehall, dub, techno and industrial, Bristol’s Bokeh Versions label has carved a unique niche in the UK underground Alongside a 100% Bokeh mix recorded...
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Encompassing parties, a record label and a beloved radio show, Errol and Alex Rita’s Touching Bass has created an open space to celebrate Black music in all its forms, from jazz to jungle and beyond. Alongside a woozy mix exploring the DNA of Touching Bass’ past, present and future by Sammseed, Ria Hylton documents the movement’s ethos and story so far
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We catch up with premium streetwear brand Valour House, the female-fronted company kitting out the likes of Bryson Tiller and The Martinez Brothers
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Shannen SP spotlights amapiano, footwork, Asakaa drill and more
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It’s an exciting time to be both a new and old fan of African music, but how does it feel for African artists raised and working in the diaspora? As producers and consumers, these artists have a unique vantage point on this cultural shift. Jessica Kariisa speaks to Nazar, Hagan, Juba and Chief Boima and asks: what does music from “back home” mean today?
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Starting life as a way of supporting the artists and labels impacted through the coronavirus pandemic, as well as releases supporting other causes and initiatives...
As a way of supporting the artists and labels impacted through the coronavirus pandemic, we've launched a weekly roundup of the most vital Bandcamp releases...
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From the histories of global scenes, sounds and labels, to explorations of music’s power to alter the fabric of society and forge communities, here are...
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Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
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Rolling Stone reports that Adonis, Marshall Jefferson and co-founder Vince Lawrence are among the claimants
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp collections...
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Fyre Festival will go down as one of the the most disastrous festivals in history, after party-goers who paid thousands of dollars for tickets were...
On the heels of their ‘FABRICLIVE 87’ compilation, Groove Armada shares their treasured records
Groove Armada are good together and they are good apart. The longstanding duo of Tom Findlay and Andy Cato are looking at over two productive ...