DJs and producers are supposed to be on the same side. For decades now, producers have made the music, and DJs have played it. Simply...
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Features
As part of our end of year and end of decade coverage, we've written about our favourite albums, tracks and compilations. Here, DJ Mag staff...
Cover Features
One of dance music’s most recognisable characters is growing up. We talk to Seth about the repetitive party lifestyle, being a catalyst for change, and...
The contribution of women throughout the history of electronic music has been huge, but too often undocumented...
By now the history of electronic music and its journey into clubs, concert venues, stadiums and homes worldwide is a well-established narrative. It’s a story...
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German techno DJ/producer Helena Hauff is riding the crest of a wave right now. An analogue freak signed to Ninja Tune-affiliate label Werkdiscs — the...
Following the massive 'Mr Spock', Dirtybird's Justin Martin finally gets the props he deserves...
San Francisco’s Dirtybird Justin Martin has been bubbling under for years as your favourite underground DJ/producer. But the amiable tech house nut has his sights...
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Features
Over the past few years, against the backdrop of the cost of living crisis and austerity, an energised crop of community-focused collectives, promoters, and venues have emerged in the UK capital. Against some tough odds, they are fighting to keep the city’s electronic music scene not only alive, but thriving. Here, Georgia Mulraine looks at how promoters and partygoers are adapting to this new landscape, adjusting their expectations of what going out looks like and, ultimately, asks: what is the future of London clubbing?
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
Features
The summer of 2021 has seen a perfect storm of drug-related risks hit the UK dance scene: from an abundance of first-time ravers who turned...
Features
From the birth of acid house and the free party scene, through the era of super clubs and into the digital age, flyer design has...
We talk to three DJs who have subsequently become mental health & wellbeing practitioners in their own individual ways
Cover Features
The original DJ cover star, Sasha was the face of ’90s clubland success and excess. His new Refracted:LIVE show redefines his special talent, delivering a...
It’s a cold, rainy night in 2013 at a spit-and-sawdust East London venue, the exact location of which is lost in the mists of time...
Cover Features
Stefan Kozalla is many things to many people: co-owner of an acclaimed label, production enigma and true free spirit. DJ Mag caught up with him...
It makes sense that DJ Mag has landed in Barcelona to meet DJ Koze. It’s a city where the abstract and traditional happily co-exist, where...
Hessle Audio, the label run by Ben UFO, Pearson Sound and Pangaea, has just reached its 10th anniversary milestone.
Initially bonding over the infinite possibilities of the embryonic dubstep scene in the midnoughties, the trio soon set off on their own tangents. Launching Hessle...
Who are the most exciting Ram acts now? We delve deeper into the world of Ram...
WILKINSON
29,200 Twitter followers, 126,569 Facebook fans and charting at No.8 in the UK Official Top 40, Wilkinson is big news, but it hasn't always...