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Over the next few weeks we’ll be profiling the Miller SoundClash finalists; getting to know the DJs who will be flying to Las Vegas...

It’s been a long time coming, and for many the wait was almost too long to bear. Finally, a plugin that has shaped the dance...

Modular seems to be the buzzword of the moment within the dance music fraternity — everywhere we look we are encircled by the new modular...

When we spoke with Steve Bug he was post-DJing for DJ Mag TV and in the prequel to a punishing tour schedule that would take...

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THE RAINBOW VENUES FESTIVAL – CHAPTER 11, BIRMINGHAM
SATURDAY 4TH APRIL
LOCO DICE, BEN KLOCK, HECTOR, STEVE LAWLER, ROBERT DIETZ, RICHY AHMED, PATRICK TOPPING...

London's Barbican Complex never fails to make a big impression. A combined arts and cultural centre forming a nucleus within tower blocks and the lower...

John Digweed is an enigma. He began DJing at the age of 15 and started putting on parties in his home town of Hastings on...

This article was created by a Miller Music Journalist. Miller Music journalists applied to become writers via the Miller Genuine Draft Facebook Page and were...

When Radio 1's new kid on the block Danny Howard first started going out in his hometown of Blackpool, he used to go to a...

1. TROUBLE VI5ION NYE, CORSICA STUDIOS, LONDON
TUESDAY 31ST DECEMBER
THEO PARRISH, MAURICE FULTON, ANTHONY NAPLES, MR BEATNICK, MR SOLID GOLD

There’s a lot...

He played his first DJ set by the age of 19 and his first record, ‘Funktion One’ came out when he was just 20. In the few short years since he has set up his own label Protocol Recordings, presents weekly shows on Protocol Radio and more recently started a management division. Randomly selecting fans phone numbers Nicky drops calls to them during his show because, “for me the radio show is one of the most important things, it really is the bridge between me and the fans,” he explains

Five tunes you need in your box

We catch up with Aussie DJ/producer Sonny Fodera on new Cajual album 'Moving Forward'

Once upon a time DJs roamed the planet with boxes filled with enough vinyl to cripple a sherpa and synthesisers that were so big and heavy they required two roadies to wrestle them onto the stage. Fortunately, these days, all it takes is a laptop with a couple of controllers plugged into the USB ports to do the job. Korg have been around since the beginning of the electronic music revolution, and while once they were manufacturers of hardware behemoths, they have kept abreast of the times by releasing a wide range of products in both hardware and software formats, from bulky workstation synthesisers designed to live in a studio to their micro range of keyboards, which are the perfect size and weight to be taken on the road.

In Texas, big is best, but when it comes to audio interfaces for DJs, the exact opposite is true, and small becomes beautiful. The UDJ6 from ESI comes in as one of the smallest and most stylish DJ interface packages yet, and would even fit in the pocket of a hipster’s skinny jeans — yes, it’s that small! The all metal casing is curved with a lovely champagne anodised finish, which gives the UDJ6 a very classy and stylish look and feel.