Search

Fearless formed Death In Vegas two decades ago, quickly making a mark with the 'Dead Elvis' album of alt.electronica. Becoming a resident at the Heavenly...

Guy Gerber has had a meteoric and at times slightly unconventional rise to the top from the early days of his productions on Luciano’s Cadenza...

Hideout
Ready or not?

Hideout WHEN? Monday 30th June – Thursday 3rd July WHERE? Zrce Beach, Island of Pag HOW MUCH...

Last time we featured Sishi Rosch, the Guatemalan-born producer was living in Barcelona knocking out darkly funky, future house tracks shot through with urban grit...

French techno don Agoria makes gorgeous, evocative electronic music. With three beatific albums under his belt, he tells DJ Mag that he’s refined his way...

Jubei is one who has achieved the highest accolade a producer or DJ could ever wish to be blessed with; the total and unadulterated respect...

Will Numark’s latest offering, Orbit, rocket into the stratosphere or fall back down to earth with a bang?

Robert Hood was a member of Underground Resistance, the legendary militant visionary techno collective from Detroit. After leaving UR in the early 1990s, Robert pioneered a minimalist form of techno — along with Daniel Bell, Richie Hawtin etc — in reaction to the increasingly hardcore “too ravey” twists and turns that techno was taking.

Layo & Bushwacka! were a popular tech house duo before Millennium time, but after they released ‘Love Story’ in 2002 they totally went supernova. They met at the legendary central London nightclub The End, where Bushwacka!, aka Matthew Benjamin, was a resident DJ and Layo Paskin was co-owner (with Mr C). 



X-Press 2 were one of the principal house acts in the early '90s, rocking the floors with cuts like post-hardcore progressive house cut 'Muzik Xpress' — with its memorable “Music, music, music” refrain — and the cowbell-tastic 'London Xpress'. The trio of acid house originals — Rocky, Diesel and Ashley Beedle — went their separate ways for a while in the late '90s, before coming back together just before the Millennium.

AFTER his post-punk Pop Group project, madcap genius Mark Stewart started working with dub warrior Adrian Sherwood (On-U Sound) on his groundbreaking, influential ‘Learning To Cope With Cowardice’ album. Released in 1982 and shot through with experimental dub and polemic, he then got into early hip-hop for his following three albums

Half of the driving forces behind the ever-evolving Night Slugs, the UK label blending futuristic bass and breaks with the legacy of Chicago and...

American House legend Todd Terry is set to return to London for the second time this year with a show at the ever emerging Proud2...

Ever since Ableton became popular with the masses and started to pop up in cooler studios and DJ boxes across the planet, the arms race...

Having been touring the world with a camera crew in tow, Fedde Le Grand remains as big as possibly made-up his name suggests. His series...