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The fact that Justin Bieber is allegedly featuring dubstep on his new album provides a cloudless view of the inevitable backlash sitting, arms-crossed and biding...

Space owner Pepe Roselló is a living legend. One of the most jovial (and powerful) men in dance music today, DJ Mag Ibiza has the...

Boom Jinx has created a crown jewel. It’s been nine years in the making and along the way, the enigmatic artist has managed to ga...

In the late '90s there was a perception of DJs as vinyl-hugging technophobes who relied on a 20-year-old turntable design and swore by headphones launched in the '80s. It used to be an utterly fair stereotype — after having reviewed the very first Traktor back when it ploughed into the scene, trying to convince my clubland chums that it was “the future” I was met with pity and derision.

Pioneer like leading the path and they've done it again with the SVM-1000 and now DJing will never be the same again. The SVM-1000 enables...

Manchester-born stadium destroyer D.O.D is all about the drop. Layering baile funk techno beats into screeching EDM bangers and building samples, hooks and breakdowns to...

They've become one of the biggest live dance acts on the planet, and these are the tracks they picked out for DJ Mag as having had a profound influence on them over the years...

With collaborations with the likes of Laidback Luke and a stack of releases on Dim Mak doing the rounds, it doesn't get much bigger than Dimitri Vegas & Like Mike...

Making his name with bass-injected techno on Hotflush and Hemlock, Guy Andrews has turned the drama dial to 11 with this fresh EP for 2020 Vision offshoot Fina.

I’m going to tell you a little story about dancing — this is a dance music mag, after all. It’s 1991. I’m deep in some ramshackle Northern warehouse rave. I’m at one with the universe, have just had my sixth life-changing conversation of the evening and am now busy chatting with my fourth new best friend in the last hour.

Krakow’s abandoned Hotel Forum defines communist design, invoking Orwellian futures via a rejection of humanist aesthetics. Instead it boasts a brutish, unforgiving concrete designperfectly suited to 1984's dictatorial ministries.