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With minimal techno sounds seemingly making a comeback in clubland, we thought it a good time to check in with three minimal maestros 

SHLOMI ABER


The Israeli owner of the Be As One imprint needs little introduction. His new '15 Years Of Nordstern' mix is testament to the...

They’re touted as a legislative firewall to keep Aussie partygoers safe, but have Australia’s unpopular ‘lockout laws’ irreparably damaged Down Under’s nightlife for good? DJ Mag...

A few weeks ago, a pair of successful Australian DJs wrote a letter. The now-famous note wasn’t to a manager, a booking agent or even...

A selection of 8 press shots of artists featured in DJ Mag’s February emerging artists feature

The latest and greatest DJs and producers rising to the top this month. From quaking dubstep and tripped-out rap, to healing house, R&B and beyond, here’s February 2024’s list of upcoming talent you should be keeping track of

Danish-Honduran artist Julie Pavon has so far released just one EP, but is already rising swiftly. The vocalist and songwriter’s six-track debut ‘Watch Her Dance’...

The melodic deep house of Maya Jane Coles’ ‘What They Say’ helped put her on the map, and soon went on to be sampled by...

Even if you’ve never consciously set out to listen to ‘What They Say’ by Maya Jane Coles, you’ve almost certainly heard it before. Over the...

Cakes Da Killa by Ebru Yildiz

Blending hip-hop, house and influences from New York’s ballroom scene, Cakes Da Killa has been opening up the conversation around LGBTQ+ artists in rap. He speaks to Nathan Evans about developing his style, the appropriation of queer and ballroom culture, and finding inspiration in the Harlem Renaissance for his new album ‘Svengali’

In 2014, Cakes Da Killa’s uniquely sharp and agile club rap earned him an interview on New York’s premier hip-hop station, Hot 97. He never...

With tracks like ‘That’s The Way Love Is’ and ‘Right Back To You,’ Ten City’s 1989 debut album, ‘Foundation,’ set the standard for what vocal...

If songwriting and arrangement were as valued as sonic innovation in the history of dance music, then Chicago vocal house group Ten City would be...

Released 20 years ago, Basement Jaxx's 'Rooty' is a paean to the adaptable power of house music, a ferocious mixture of musical styles kept in...

‘Rooty’, Basement Jaxx’s second album, was the moment when the London duo conquered pop in the name of UK house music; the apex of the...

One of the UK’s busiest — and best — DJ/producers, Maya Jane Coles has a jam-packed Ibiza season this summer. DJ Mag Ibiza corners her...

Maya Jane Coles is a busy woman. Not only is she spinning at Hï Ibiza, Pacha and Ushuaïa throughout the season, she’s also been putting...

Multiple bangers held within...

Ibiza closing parties are in full swing over the next two weeks, with Circoloco, Cocoon, Music On, Paradise and many more hosting huge events that...

Funk-dripped drum & bass head plays us his most inspiring tracks

Always that most steadfastly independent genre, today drum & bass is splintered into a panoply of micro camps. In one corner, the giant, fizzy-pop electro chords and high fructose rushes of labels like Hospital; in another, the clipped, dark minimalism and sub bass caverns of its most underground soldiers, the Critical crew.

Classical arrangements of his most memorable tunes for an orchestra? Is that taking it too far? Not in Schwarz's hands...

“I just like making music and I like when things change.” DJ Mag is talking to Henrik Schwarz about his new classical music album, ‘Instruments’...

The Euphoria cover logo in green neon on a black background with green lasers

With the release of its first edition – 'For The Mind, Body and Soul' – via Telstar Records in early 1999, the ‘Euphoria’ mix compilation series quickly became one of the most popular and prolific of its kind, launching the big-room oriented trance, progressive and hard house sounds of clubland into the CD drives of thousands. 25 years later, Harold Heath looks back on its legacy, and on how its balance of clever commercial marketing and authentic live energy enshrined ‘Euphoria’ in UK dance music history

It’s 1999, and across the UK, countless car stereos and home systems are pumping out the planet-sized synth riffs of big-room trance. Tracks by Paul...

Danny Tenaglia's name rightly sends shivers down the spine of anyone who has been front, centre and soaked in sweat during one of his club...

With fun as their prime directive, they're on the rise — and loving every minute...

Photo by Raymond van Mil

The rise – and rise – of Detroit Swindle has shocked none more than flying Dutchmen Lars Dales and Maarten...

Massive Sandsystem!

DJ Mag finds itself in a desert, 200km from the nearest city and surrounded by enormous soundsystems for Monegros Festival, but is the music as far out as the location?