The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
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With a main stage prized for marquee bookings, Bestival's other stages are filled to the brim with dancefloor treasure. Here's our clubbers' guide to Bestival...
Duran Duran, The Chemical Brothers and Missy Elliot... Bestival's headline acts are always huge and this year is no different. The past has seen the...
For their second album, Hamburg's disco-sampling duo Session Victim decamped to San Francisco and discovered a new way of working with analogue synths, drum machines...
It's great dance music is so big now that your mum hums Disclosure. What isn't so great is that because dance music is so popular...
Rising Dutch star Quintino provides a master class in humility, giving back to his fans and explaining why you should never go soft..
The man, basically, is a workaholic
Danish producer Noir and his sprawling musical empire Noir Music have been riding the crest of a wave for a couple of years now, and it’s all down to one man’s tireless work ethic...
Every month DJ Lee Burridge sends DJmag.com his diary to reveal all the mishaps, shenanigans, and craziness from his '365' world tour. This month: Florence...
Anyone who has read the last three articles has probably come to realise that I love to waffle.
That is, to say things in a...
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
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Before headlining international festivals with his immense live techno sets, Reinier Zonneveld cut his teeth on the Dutch underground rave circuit. Megan Venzin catches up with the artist to learn about his approach to performance, and why his fans can always expect the unexpected
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Jonny Trunk has been collaborating on a series of graphic design-led books with FUEL publishing for almost 20 years. The latest — titled Audio Erotica — sees the London-based writer, broadcaster, DJ, and Trunk Records label boss collate some of strangest and most significant period hi-fi brochures of the last 75 years. We spoke to Trunk to find out more about these hard-to-find vintage brochures
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With a range of sounds encompassing slo-mo house, gothic EBM, Italo disco and more, and an equally unrestrained art direction, Freeride Millenium is a no-holds-barred expression of love between its founders Jorkes and Daniel Rajcsanyi, aka ParisBöhm, and the queer community they aim to uplift. Alongside a mix of tracks from its catalogue, they share the label’s story
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The prolific Dallas, Texas electro producer builds a futurist cosmology that straddles sci-fi obsession and quiet storm roots, with unexpected brightness. Marke Bieschke catches up with the artist about his process, and his stunning recent LP 'LASER Mode'
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The Space Miami resident was first introduced to clubs as a child by her famous dad, but since then, Layla Benitez has made her own way in the industry and followed her own musical path. Ahead of playing our Miami Pool Party next week, she speaks to Niamh O'Connor about her rise as a touring DJ
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When the Covid-19 pandemic cleared Dutch producer, DJ and label boss Martyn’s diary, he turned his attention to others: starting his own mentoring programme for...
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With her supercharged rave productions and hybrid sets that pack in everything from breakbeat hardcore and donk to footwork jungle and techno, Yazzus embodies everything...
In this regular feature, Selections, we invite DJs, producers and label heads to dig into their Bandcamp crates and share the contents of their digital...
Features
In the UK grime scene, the spotlight has usually shone on MCs. Instrumentals have long remained a niche point of interest, a topic for more...