Clubs around the world are shut, and opportunities to find new music out in the wild have been ripped from under our feet as a...
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Features
In this regular feature, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their Bandcamp...
Features
The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity
Cover Features
Derry-born DJ, producer and Céad label boss Or:la has had a remarkable journey so far, from throwing raves in abandoned buildings to playing the world's...
Cover Features
Without bluster or overblown hype, Black Coffee has doggedly worked himself into the position of being not just South Africa’s foremost electronic music artist, but...
Far from the crowds of Ibiza’s resorts and the kaleidoscopic whirl of its clubs, on a tranquil outcrop overlooking the Mediterranean Sea, a man surveys...
Features
Though arguably most prominent in the ’90s, free parties and illegal raves have never gone away. Despite the increased surveillance from authorities, passionate DJs and sound systems continue to throw events in a similar way that they always have, looking to create a sense of community and an alternative to the commodified dance mainstream. Dave Jenkins heads to a free party, and speaks to some of the illegal rave scene’s advocates about why they keep the fire burning
DJ Mag caught up with this inspirational figure at the end of another great year...
“I hear things in pieces.”
Kerri Chandler is on the phone in his studio, talking about how he processes music after thirty-plus years in the...
Features
J Dilla changed music with his unique production style and wonky beat patterns. Ahead of an expansive new book on his life and art, Marke Bieschke talks to author Dan Charnas about the enigmatic artist’s impact
Features
Already part of some major DAWs including Logic Pro, AI and machine learning is becoming a staple of music studios through technology from assisted mixing and search...
Features
Before his death in 1982, Patrick Cowley produced some of the American gay underground's most thrilling dance music, from chart-topping disco to radical club tracks...
News
Our first quarterly update following our pledge in July, addressing how we can tackle racism and diversity issues within the electronic music industry as a...
Features
The latest and greatest DJs and producers rising to the top this month. From cutting edge drum & bass and Afro-funk to tough EBM and...
SNO
Nongi Oliphant, aka SNO, is a breath of fresh air for the DJ world. She’s been collecting records religiously for many years but it’s...
Features
Modular electro master and Irish underground stalwart DeFeKT steps up with a formidable, energised mix – With a new EP on Sunil Sharpe's Earwiggle, a...
Few artists have been as pivotal in Ireland’s electronic evolution of the past decade as DeFeKT. A formidable producer and live artist, the modular electro...
Danny Howells isn't your typical DJ.
"For fuck's sake, hang on a sec, I'm scanning stuff, some Visa crap. My old agent used to do it but my new agent won't...
Living on D-Edge
To really understand Sao Paulo’s D-Edge you need to lose your mind there, which is exactly what we did...
Features
Released on 21st June 1999, The Chemical Brothers’ third album harnessed the enormity of trance, the ecstasy of acid house, and the vibrancy of psychedelia to become their boldest statement, and a mirror to the hedonistic mood of the UK at that time. Here, with the help of the duo’s Tom Rowlands, Ben Cardew reflects on its legacy