Listen to a lot of older techno today and it sounds rather restrained. Brilliant, yes, and futuristic too, yet largely soft and melodic compared to...
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Released on Tresor in 1992, Jeff Mills' debut LP ‘Waveform Transmission Vol. 1’ is a record that stands for repetition and filth, forged from wrought steel and imbued with scuffed-up funk. Here, 30 years after its release, Ben Cardew takes a deep dive into the sound, origins and legacy of an album that birthed a new breed of techno
We meet the Leeds man in London to talk about hardcore history, subliminal messages and breaking free of genre constrictions — and much more...
Reinvention is a tough gig. But if you get it right, a whole new life is possible. No one in dance music's managed this more...
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Bristol-based Brazilian S.P.Y has just made the album of his career by looking back to early jungle. But as he explains, his recreation of the...
Everyone’s a junglist these days aren’t they? You’re a junglist. Your dear old dad’s a junglist. Even that nice little old lady next door and...
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Tackling extraordinary challenges and pitfalls in his life, Detroit’s Robert Hood is a passionate advocate for the transformative power of electronic music. An ordained Christian minister, we meet him in Berlin after...
In the early hours of the morning on November 10, 1938, anti-Semitic rioting raged across Nazi Germany, in a pogrom that saw more than 100 Jews killed and 267...
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Released on 25th May 1984, ‘Smalltown Boy’ launched the gay synth-pop band Bronski Beat into the charts and onto dancefloors with its glorious synths, hi-NRG production and Jimmy Somerville’s soaring falsetto, which sang a story of rejection, pain and escape. Here, with the help of musicians, its iconic video's director and others, Bailey Slater explores how, four decades on, it remains an unflinching anthem of queer liberation
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Sam Shepherd, aka Floating Points, is returning with a new album — ‘Crush’, out this month — and a vital live show that he’ll be debuting this autumn. Born out...
On the eve of a special performance, the trio join DJ Mag USA to discuss creation, serendipity and a little something called Group Therapy...
The artist’s green room in London’s Royal Albert Hall doesn’t quite match the scale of grandeur its main arena boasts. But for the talent...
Above & Beyond’s latest delivery is an acoustic gem fit for a queen
The artist’s green room in London’s Royal Albert Hall doesn’t quite match the scale of grandeur its main arena boasts. But for the talent fortunate...
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Get acquainted with Xzavier Stone, the Zurich-based producer and performer whose new album, ‘GREYSCALE’, develops his otherworldly take on R&B, and utilises minimalism to maximum effect
Willie Burns is the New York house producer everyone's raving about...
Willie Burns comes from the fringes. The US producer’s releases for Trilogy Tapes, L.I.E.S, Crème and Rush Hour have seen his left-of-centre house, techno and...
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German techno DJ/producer Helena Hauff is riding the crest of a wave right now. An analogue freak signed to Ninja Tune-affiliate label Werkdiscs — the...
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In this series, Selections, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Hagan spotlights percussive gems, from futuristic UK funky, gqom and amapiano to house, drill and highlife
Pumping out chart-topping dance anthems since he was 19, Alesso solidifies his headlining stature with debut album ‘Forever’. Now 23, the mega-producer discusses his evolving...
Here’s a fun fact: the peak of the northernmost cliff in Europe, Kebnekaise MoHuntain in Alesso’s native Sweden, has the highest fixed point in the...
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Best Of British powered by Relentless Energy Drink is our chance to shine a spotlight on the homegrown stars who fill the pages of our...
BEST DJ: ANDY C
The drum & bass don has scooped the Best DJ gong for the second time in this year’s vote...
“It’s the...
Raw beats and sub-low rumbles mixed with sugary melodies are DJ Q's calling card.
Ten years ago, DJ Q released his first 12”, 'Love Like This'. The track was a bassline stomper, a grimy slab of sub-low and brutal...