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Raw beats and sub-low rumbles mixed with sugary melodies are DJ Q's calling card.
Ten years ago, DJ Q released his first 12”, 'Love Like This'. The track was a bassline stomper, a grimy slab of sub-low and brutal...
DJ Mag's digital tech editor rounds up the best Christmas gifts for DJs and producers in 2021. Whether it's for yourself, a partner, a family...
The latest and greatest DJs and producers rising to top this month. From tough techno and sun baked house to icy UK rap, breaks and...
In a rare interview, the Music On don talks candidly to DJ Mag...
Marco Carola is an enigma. In a rare interview, the Italian techno DJ/producer and Music On promoter talks to DJ Mag about record shopping in...
With his Shaytoon Records label, Sepehr has built a platform for underground techno and electronic music from the Iranian diaspora. But the versatile New York-based producer and DJ fights oversimplified categorisations and pigeonholing at every turn, extracting influence from obscure ‘90s rave records as much as Persian mythology. Alongside a 90-minute On Cue mix demonstrating this sound, he tells Marke Bieschke about his Flower Storm project with Kasra V, the influence of Silent Servant, and his grunge-influenced new band
With a career spanning 30 years, more than 400 tracks to his name and a history hosting the biggest stages, DRS recently embarked on a new, ground-breaking chapter with his headline live show tour: The Man Who Fell To Earth. Jake Hirst hears the story behind a project representing something much greater than music for DRS
Having made his name as a key figure in the bassline and drum & bass collective CruCast, Bru-C is now pushing himself further with a signing to the UK wing of iconic hip-hop label Def Jam. He talks to DJ Mag about the importance of keeping it real
San Francisco’s Chrissy sprints from house, Hi-NRG and EBM into UKG and breakbeat hardcore in his ecstatic On Cue mix, and speaks to Marke Bieschke about reviving rave’s original mission on his Hooversound album, ‘Physical Release’
Though a clear reflection of his taste in music, Newcastle’s Me Me Me label isn’t all about its founder, Man Power. Alongside a mix from its hard-to-define and easy-to-love catalogue, the DJ and producer tells Kristan J Caryl about the imprint’s focus on bringing artists together
‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career
Drawing influences from rock music, weird films and the “creepier side”, TeeZandos is upending expectations of what a drill MC can be. With her star...
Released 20 years ago, Basement Jaxx's 'Rooty' is a paean to the adaptable power of house music, a ferocious mixture of musical styles kept in...
From back-to-back travel and navigating unknown places, to the thrill of peak time raving and the low of the next day, touring DJs lead lives...
From her first release as Octo Octa in 2011, there’s always been an element of rapturous freedom inherent to Maya Bouldry-Morrison’s music. But since coming out as a trans woman and meeting her life/work partner Eris Drew, that feeling is rendered in brighter shades than ever. Taking time out from a European tour, Bouldry-Morrison details her road to house music happiness
Pioneer DJ’s new CloudDirectPlay ushers in a new era for DJing