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SSL bring their legendary reputation for building high-end studio mixers to the project studio...

There are few names in the production world that enjoy the same status as SSL, who have been building some of the world’s most desirable...

From 'Vegas To Ibiza' with a trance legend

DJ Mag spoke to Paul about his latest compilation ‘Vegas To Ibiza’, musical adventures and deep-routed passion for the dance music scene and his long-awaited next artist album...

Scottish dance pioneers Finitribe reboot

Finitribe started off as an experimental guitar band in the mid-'80s but they soon embraced electronic music and sample culture and set up their own Finiflex label.

The alien sound of Holger Behn

"I am from space,” Holger Behn, better known to most as H.O.S.H., explains to DJ Mag.

Controlled Kaoss

Korg is looking to create maximum Kaoss with its all-new KP3+ flagship effects unit...

Tempting Taipei

DJ Mag takes to Club Myst to get a taste of clubbing, Asia style!

Grime's edgiest label take on London's Cable

From life as a blog to grime's edgiest label, Butterz took a look back over three years of tearing up the rule book at Cable last month...

Pioneer's entry level controller comes of age.

The battle of the budget controllers has really hotted up, with news from Pioneer of their latest controller to hit the market, the DDJ-WeGo. Fantastic news for anyone who is looking to buy such a controller at the moment.

Forward-thinking Dimensions Festival gears up for second run.

As one of the final dates in the festival calendar, the latest addition to Croatia’s coastal party scene has promised a fine coda to the summer since its mouth-watering lineup dropped at the start of the year. Held in the same spot as older sibling Outlook, which celebrated its fifth year the week before Dimensions opened its doors, it’s been billed as a more highbrow offshoot – in place of Fat Freddy’s Drop on the lineup stands Nicolas Jaar, Skream gives way to Carl Craig and there was nary a New Era cap in sight.

At what point did remixing mainstream pop rubbish become acceptable?

Don't get DJ Mag wrong, there's been a long tradition of the remix as a credibility boost in the music industry. Back in the day, from the late '80s and the first crossover of house music onwards, dire popstrels of the ilk of Simply Red and the Spice Girls (or rather their record companies) would be queuing up for a taste of authentic dance flavour, getting cool names to remix their tracks in order to boost sales of 12”s.

Groove Armada

To the uninitiated, Groove Armada's return to making underground house music might appear something of a change in direction. It is, of course, nothing of the sort. Andy Cato and Tom Findlay have found themselves, thanks to a solid decade of commercial success, stuffed clumsily into all manner of pigeon holes; from dance-pop to pop-dance to chill-out to stadium-dance to ragga-dance and any number of other sub genres you might care to mention.

Eats Everything

He might be able to knock out badass tunes, but Bristol boy Eats Everything is, in his heart, a DJ first and foremost (or husband if his new wife is reading!). What’s more, the man born Daniel Pearce has been doing it for exactly 20 years now, having gotten his first decks for Christmas back in 1992.

Phobia, Sato & Tyrone join forces to form Chroma

We catch up with progRAM's bass-mad trio Chroma and look forward to 2013

Dutch drum & bass trio on forthcoming soundtrack project

Dutch drum & bass trio Noisia have created the soundtrack for forthcoming gothic beat-em-up video game DmC: Devil May Cry.

Although they are better known...

DJ Mag boards London's most unusual clubbing location

It's 6am. Two U-turns beside an industrial estate, we are no closer to knowing where we are — or if our cabbie's even on the right route. E6 (only a stone's throw from Essex) is where we are meant to be headed. Apparently.