Ollie Clarke is out delivering Amazon parcels around Bristol in spring 2020. He’s one of many new workers that Royal Mail hired during the beginning...
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As the UK looks toward the end of lockdown and the reopening of clubs and festivals, Giulia Bottaro speaks to nightlife workers from different parts...
Tattooist-turned-rapper TRAPY speaks to Amy Fielding about his favourite Marvel characters, obscure samples, and his reason for anonymity
Drum & bass futurists Blocks & Escher promised an album four years ago through Goldie’s Metalheadz label. Now it’s finally arrived, but what caused the...
Bust ups. Car park fist fights. Prison sentences. Vicious acrimonious splits resulting in major High Court settlements. Six-day self-finding mushroom binges in the Highlands. Tabloid...
Black Science Orchestra’s Trammps-sampling, Frankie Knuckles approved 1992 cut ‘Where Were You?’ marked a key moment in UK house music, and embodied a sound that...
When the South Bronx dance-punk outfit ESG released their Martin Hannett-produced debut EP in 1981, they had no idea how pivotal their stripped-back, funk-fueled sound would be on the evolution of hip-hop and house music: ‘UFO’ has been sampled over 500 times; ‘Moody’ was a staple in Larry Levan’s Paradise Garage sets. Four decades later, ahead of their set at Melting Pot & Optimo’s Queen’s Park Spring Weekender, Daniel Dylan Wray tells their story
With inventive production and animated lyrics in Spanish and English giving unique takes on violence and, of course, weed, Cypress Hill's 1991 debut introduced them...
During a long stint at home, ODESZA revisited their past to better understand how they arrived at the present. DJ Mag chatted with the Seattle-based duo to learn about the profound discoveries they made and the implications for their art, which they chronicle in their forthcoming studio album, ‘The Last Goodbye’
Aluna Francis’s life has been one of discovery — of uncovering truths about herself, about society, and about the fundamental ways in which the dance music industry fails people. The Wales-born, LA-based music maker, formerly of AlunaGeorge and now working as a solo artist, tells Bruce Tantum how she’s putting the knowledge she’s gained into practice via the new Noir Fever festival
At Portugal’s Semibreve festival, we sat down with Suzanne Ciani, a pioneer of electronic music and modular synthesis, and dance music disruptor Rian Treanor, who...
The UK festival landscape is in crisis, with over 40 events cancelled ahead of this year’s season according to recent figures from the Association of Independent Festivals. Amidst the insurmountable rise in the price of production, and the ongoing cost of living crisis, how are organisers and punters feeling about the current situation? What has caused it? And what solutions are being considered that will help us save the sector?
Delhi-born, Brooklyn-based synthesist, composer and singer Arushi Jain’s modular explorations are guided by boundless curiosity, and a researcher’s sense of wonder. On her new album for Leaving Records, ‘Delight’, she weaves enchanting vocals, organic instrumentation and elements of Indian classical music into her unique electronic framework, reflecting on love, longing and the nature of beauty. Tara Joshi learns more
Kuedo’s first album, 2011’s ‘Severant’, blended filmic synths with trap beats and provided a blueprint for synthwave artists the world over. But after scoring a Blade Runner animation with Flying Lotus and various other projects, his new record offers a more expansive vision. George Bass quizzes him about avoiding nostalgia, eco-anxiety, and finding the confidence to make his music more emotional
After eight seasons at DC-10 in Ibiza and two lost to the pandemic, Jamie Jones makes his grand return to Ibiza this summer, and is moving his flagship party, Paradise, to Amnesia Ibiza. For his DJ Mag cover feature, Anna Wall speaks to the Hot Creations boss about coming up in the East London after-hours scene, mentorship, and becoming a dad
London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live
A soulful house classic, Kings Of Tomorrow’s ‘Finally’ appealed across the board thanks to its universal lyric and hopeful message. Kristan J Caryl talks to vocalist Julie McKnight, co-producer Jay Sealee, Defected’s Simon Dunmore and Bushwacka about its evergreen appeal