The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...
Search
Results for: Kim Anh
Tech
As live streams dominate our feed, we outline five ways to stand out from the crowd
Features
1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
Tech
The Aussie duo break down their setup ahead of their US tour...
Set Mo's 2018 was a big one. Having drip-fed their debut album over 11 months, one track at a time, the LP got a full...
Ninja Tune's most exciting new signing.
In the current climate of deep house dullards Letherette stand out like a sore thumb. Cutting 'n' pasting micro fragments of dusty old vinyl into emotive, pulsing electronic decoupages, their skewed, psych take on house and hip-hop acknowledges pioneers like J Dilla, Daft Punk, Cassius and Madlib, while injecting unexpected kaleidoscopic flourishes and live instrumentation, pushing sampladelia in a unique direction.
Cheeky bubblers incoming...
Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...
Features
NYC/Berlin-based DJ, producer and vocalist Perel records a mix of wavy nu disco, thumping house and Italo for the On Cue series, and speaks to Katherine Rodgers about regaining her confidence after a debilitating label experience, and her bold and irreverent new album, ‘Jesus Was An Alien’
Features
A vital document of music in 2002, ‘As Heard...’s headline-grabbing mixes of well-known tracks helped sneak a handful of underground dance classics into more than...
Each month, DJ Mag UK's fashion editor Amy Fielding catches up with some of our favourite artists to talk about all things style. Check out...
Music
Recognise is DJ Mag's monthly mix series, introducing artists we love that are bursting onto the global electronic music circuit. This month, Glasgow-born, Copenhagen-based Solid...
Features
Hosting its first residency in Ibiza at the legendary DC-10, Patrick Topping's Trick imprint has seen a release break through to the UK charts, and grown from an imprint to an empire. With Australian DJ/producer Airwolf Paradise on mix duties with an hour of club-ready label cuts, DJ Mag sits down with Patrick Topping to talk about his vision to share the versatility and imagination of electronic mainstays, and giving breaks to the undiscovered underground
HudMo turns up the spotlight on his solo album, ‘Lantern’...
Hudson Mohawke is biting his tongue. Not literally, although it’d be difficult to tell via the phone through which he’s speaking as he runs errands...
We take a look back at the news of 2015 through the prism of the international dance music scene. It's been quite a year!
January is a notoriously slow month in clubland — a time when gym memberships take priority over all-nighters and pennies are scraped together. Many top...
Features
Artificial intelligence is at the heart of a fundamental shift in music’s role in our lives, and for electronic music, the transition will be seismic...
Features
‘Come With Us’ was the birth point of The Chemical Brothers 2.0, and it came at a vital time, with the dance music slump of the early '00s leaving many big electronic groups looking vulnerable. Here, on the 20th anniversary of the release of the album, Ben Cardew looks back at how 'Come With Us' reinvigorated their career