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It’s not your average label that can claim to have slick garage from DJ Q, Finn’s hyperspeed disco and the boundary-pushing R&B of singer-songwriter...

Londoner Metrik emerged onto the drum & bass scene after the overnight success of his dynamic, 2008 liquid anthem ‘Your World’. After signing to Hospital...

AP2P (All Power to the People) is the collaboration between M1-Dead Prez and Italian producer Bonnot. Like Dead Prez, AP2P specialize in socially conscious hip-hop...



Manchester duo Rae & Christian spearheaded the soul/funk-hop scene of the late '90s. Their Grand Central label released great music by Aim (including chill-out classic ‘Cold Water Music’), Riton, Boca 45 and more, not to mention their own superb two albums. 
‘Northern Sulphuric Soul’ — their fantastic debut opus of sunshine soul grooves and dope beats, which was nominated for the Mercury Music Prize — and follow-up ‘Sleepwalking’ in 2002 featured guests such as Bobby Womack, Jeru the Damaja, The Pharcyde and the Jungle Brothers.

Voting has now closed in our annual Top 100 Clubs poll. Almost half a million votes have been submitted, from all corners of the globe...

Lost Village has quietly grown to become one of the UK's most cherished boutique festivals. Its setting in the Lincolnshire woodlands are some of the...

All Roads is a collective of music producers, DJ's, visual artists, videographers, photographers and a record label. Envisaged by K-aze, aka Lemon D of legendary...

Finitribe started off as an experimental guitar band in the mid-'80s but they soon embraced electronic music and sample culture and set up their own Finiflex label.

As rolling eyes clock the camouflage draped ceilings with bug-eyed ravers lining the leather clad walls the new soundtrack of future house and bass that fills the dancefloor marks the arrival of Junk's latest night Bang Bang. Arguably the South’s answer to Fabric and the proud nominees of DJ Mag’s Best Of British Best Small Club Award are excited to offer their latest take on the ever-evolving dance culture. As Junk director Louis Lawrence describes the new addition to the Junk family, “The music is slightly more underground/future-sounding. It spans more than just house music; we’ve coined it 'Future Beats & Bass'”.

Don't get DJ Mag wrong, there's been a long tradition of the remix as a credibility boost in the music industry. Back in the day, from the late '80s and the first crossover of house music onwards, dire popstrels of the ilk of Simply Red and the Spice Girls (or rather their record companies) would be queuing up for a taste of authentic dance flavour, getting cool names to remix their tracks in order to boost sales of 12”s.