‘Ey ey ba day ba wadladie day’ The opening lyrics to SL2’s ‘On A Ragga Tip’ immediately come up when you type its title into...
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For two decades dBridge has been crafting next-level drum & bass, as part of Bad Company, solo, with his label Exit and fellow zeitgeist surfers...
He's made house, electro, techno, done it all, but it's still breakbeat culture he returns to time and time again...
We chat to the Dublin-born Hoya:Hoya resident to learn more about his penchant for the vocal, love of New York dance music — and the...
Freshly signed to Rinse with a massive tune set to run dancefloors and radios this spring, and with huge tracks for Kerri Chandler's Madtech doing the rounds, Krystal Klear's disco-informed house is more in vogue than ever
Kasra on ten years of Critical Records
Back in 2002 on a sofa somewhere in North London, the concept of a new label was being brewed in the mind of a young DJ named Kasra, a hazy vision that became a reality after an intoxicated conversation with some colleagues.
Fake Blood talks to the press for the first time about his new album
DJ Mag quizzed him about his hip-hop roots, graffiti, EDM and his burgeoning soundtrack work for a famous cult horror movie...
Exit Festival is the gem of the Eastern European festival circuit
It’s the evening before Exit Festival in the north Serbian city of Novi Sad, and the alleyways that line the far end of the city centre are rammed with people, bustling in and out of the numerous bars stacked alongside each other.
DJ Mag visits Time Warp to see if it's still got it
Back in the early days of Time Warp, the organisers faced some scepticism from the community of Mannheim about an annual all-night rave...
DJmag is swallowed into the audible vortex that is the new Kaoss pad 3 and pulled out the whole with some frontline reports from Product.01
When the original KP (Kaoss Pad) landed it split the music tech world in two, some saw it as a mere toy, while others embraced...
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Lifting the vocals from Jah Screechy’s reggae standard 'Walk & Skank’, SL2’s‘On A Ragga Tip’ surfed the hardcore rave wave at the turn of the 1990s before crossing over to bring breakbeats and bass into the pop charts. The track has transcended genres and styles to stand alone as an enduring dance classic. Joe Roberts calls up Slipmatt, aka Matt Nelson — the ’S’ in SL2 — to learn its story
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The latest and greatest DJs and producers rising to the top this month. From jungle and Afro house to experimental dub and techno here's August 2022's list of upcoming talent you should be keeping track of
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When Mason first released ‘Exceeder’ in 2005 it was a B-side. But its fuzzy bassline and gated trancey notes garnered a legion of fans, and it became a key building block in the pre-EDM electro-house scene. 17 years later, he shares its story
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London’s Ibibio Sound Machine are back with their fourth album ‘Electricity’. Produced by Hot Chip, the release is more electronic than ever, but retains their classic Afro funk energy. Ben Murphy speaks to vocalist and songwriter Eno Williams and co-founder/saxophonist Max Grunhard about expanding their sound, mixing English and Ibibio lyrics, and the endless joys of playing live
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Throughout the ’90s, the DiY Sound System put on countless free events, ran a recording studio and two record labels, and took their hedonistic parties around the world. Here, Harold Heath speaks to co-founder Harry Harrison about his new book, Dreaming in Yellow: The Story of the DiY Sound System, and the collective's trailblazing legacy in the free party movement
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Three decades and nearly 200 records into his career, jungle maverick Paradox is still breaking new ground, and earning new fans in the process. Ben Hindle speaks to him about using an old Amiga computer for his productions, keeping the funk in his breakbeat samples, and his dedication to performing live
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Crossing over to practically every genre, DJ and dancefloor in 2005, ‘Rej’ is an evergreen classic. Ahead of the 100th release on Innervisions, Âme discuss...
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As dance music culture recovers from the pandemic, artists like Klein, Clark and Afrodeutsche are opening up new frontiers for themselves