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Results for: Blaise

Boom Jinx shares his heart and soul in a bare-it-all interview

Boom Jinx has created a crown jewel. It’s been nine years in the making and along the way, the enigmatic artist has managed to ga...

Despite the blistering Las Vegas heat Carl Cox stays all smiles amidst his schedule, filled with more sets than any jockey in the desert, reminding...

Las Vegas is hot. The air is hot, the ground is hot; even the decks are hot, with CDJs melting in the sun faster than...

Movement’s 2105 edition underlined all that is unique and alluring about Detroit, while pointing to the potential pitfalls of the festival straying too far from...

 

There’s something about Detroit that gets under your skin.

A mystery wrapped inside an enigma, to borrow a saying, it’s both what you expect...

Sankeys Ibiza is looking more powerful than ever this season...

Four nights from last season at Sankeys Ibiza carry over from last summer. After opening with SANKEYS AWAKENS (20th/21st May), Steve Lawler's...

We catch up with the boys from Ram

This week we have been speaking to Bristol based Drum & Bass dons Loadstar, you may already be familiar with their solo works as Xample...

This is the world's first truly integrated audio visual mixer for DJs, but it's only available to the elite, loaded few.

Pioneer like leading the path and they've done it again with the SVM-1000 and now DJing will never be the same again. The SVM-1000 enables...

Nicolette 'Let No-One...' album cover

On 1996's ‘Let No-One Live Rent Free In Your Head’, Scottish singer, songwriter and producer Nicolette worked alongside 4Hero’s Dego, Plaid, Alec Empire and Felix to create an album that mixed jungle, trip-hop, industrial techno and avant-pop into a singular work full of sharp, incisive lyricism. Ben Cardew explores the legacy of the album, and its vision for the future of electronic music

In the modern world, it seems sadly inevitable that any female singer who experiments with dance beats will, at some point, be compared to Björk...

From the tragic loss of punk-rave pioneer Keith Flint to a resurgence in the sense of community in dance music, this year, and indeed the...

2019 has been a year, hasn’t it? With the seemingly inescapable doom and gloom of the world, political tensions and the increasing urgency of saving...

A guide to dance music's pre-rave past...

We've drafted in Greg Wilson, the former electro-funk pioneer, nowadays a leading figure in the global disco/re-edits movement and respected commentator on dance music and...

For his debut album, he's zeroed in on his musical passions to create something that sums up his musical personality to a tee...

Julio Bashmore is all about contradiction. He’s been championed and attacked by the underground and the mainstream in equal measures, his hooky, earworm melodies drawing...

Efdemin is one of Berlin's most pioneering and different techno and deep house DJ/producers.

Efdemin, to the uninitiated, is two things: a true DJ's DJ and an artist whose productions have exemplified a strain of the German ambient and...

DJ Mag chats with international superstar Fei-Fei, who proves that dreams can come true...

As police sirens ring in the distance and a pink sunset spreading its vapors over the Los Angeles skyline, Fei-Fei embodies urban royalty and creativity...

Efdemin is one of Berlin's most pioneering and different techno and deep house DJ/producers, we talk about his new album

Efdemin, to the uninitiated, is two things: a true DJ's DJ and an artist whose productions have exemplified a strain of the German ambient and...

We talk to DAM FUNK about musical evolution, how music can offer escape, and Los Angeles' distinctive sound...

 

Amen, hallelujah and you’re absolutely goddamned right: Damon G. Riddick AKA DAM FUNK is spot on in both his diagnosis and proposed curative to...

Album covers from electronic music film soundtracks

Exploring the history of cinema, Martin Guttridge-Hewitt compiles 11 landmark electronic music movie soundtracks, arranged in chronological order, each of which earned its place on sonic merit, and significance in the canon of music and movies

When Bebe and Louis Barron presented their music for Forbidden Planet, Fred Wilcox's 1956 adaptation of The Tempest, the sounds were so alien, even compared...