Skip to main content

Search


Results for: Mixer cover

DJ Mag’s annual Best of North American Awards poll gives our readers the opportunity to show their love to their favorite DJs, producers, labels, clubs...

Richie Hawtin is one of the most pioneering artists in electronic music, and a true proponent of techno’s future-focused ideology. As the winner of DJ...

We throw some quick-fire questions at Shadow Child...

Emerging from his anonymous beginnings on Dirtybird, Shadow Child has stepped into the light to become one of the UK’s biggest artists. Combining modern house...

Nicole Moudaber is a true star of the underground, we sit down with her to find out more...

 

Nicole Moudaber is a one-woman force of nature. The DJ/producer, born and raised in Nigeria which introduced her to artists like Fela Kuti, started...

Carl Cox has never been your average DJ.

For a man who’s been playing in Ibiza every year since 1984, you might think Carl Cox would be somewhat jaded by the prospect of...

German producer Kris Menace — famed for his huge, filtered and electro-funkin' house — has collaborated with a string of singers for his latest album...

“I love listening to a cool techno DJ, in a club, but if you go and see Swedish House Mafia DJ, for example, there’s no artistry involved. They are just getting behind the decks, with a finished CD, and pressing play then putting their hands in the air. This is something that is so wrong, because they get paid so much money for that.”

Ex-Deep Dish man talks about new single and album

Recruiting the vocal talents of Anousheh, ex-Deep Dish man Sharam makes his bid for a summer anthem with ‘Fun’. A bittersweet lament for fondly remembered...

We catch up with the Detroit-born Kris Wadsworth

Detroit-born Kris Wadsworth talks to us about Plastikman, giving up drink and drugs, still playing vinyl in a digital age, and making more fucking tracks for labels like Hypercolour, Morris/Audio, and Get Physical from his adopted city of Berlin...

camelphat

CamelPhat are stepping up to the big stage this season as they bring their Ibiza residency to Ushuaïa. DJ Mag Ibiza caught up with Dave Whelan from the duo

The meteoric rise of Liverpool duo CamelPhat over the past few years hasn’t been an overnight success — far from it. The pair grafted in...

The latest and greatest DJs and producers rising to the top this month. From cutting edge drum & bass and Afro-funk to tough EBM and...

SNO

Nongi Oliphant, aka SNO, is a breath of fresh air for the DJ world. She’s been collecting records religiously for many years but it’s...

Recognise is DJ Mag’s new monthly mix series, introducing artists we love that are bursting onto the global electronic music scene. This month, we speak...

Bold and ferocious, but possessing infinitely eerie depths, both the DJ sets and productions of Manchester staple, Djinn, have become essential listening in the brooding...

DJ Paulette behind the decks

Manchester-based DJ Paulette — pivotal in several of the most significant moments in European electronic music history — has won this year’s Lifetime Achievement award

DJ Paulette has been active as a DJ, radio and TV host, A&R and PR for over 30 years, in the thick of the action...

Tackling extraordinary challenges and pitfalls in his life, Detroit’s Robert Hood is a passionate advocate for the transformative power of electronic music. An ordained Christian minister, we meet him in Berlin after...

In the early hours of the morning on November 10, 1938, anti-Semitic rioting raged across Nazi Germany, in a pogrom that saw more than 100 Jews killed and 267...

Photo of a large crowd of people protesting against the Criminal Justice Bill

1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today

The Criminal Justice and Public Order Act was passed into UK law in November 1994. Infamous for targeting events that played music “wholly or predominantly...

The Crosstown Rebels man opens up about his path to dancefloor domination, rising from the figurative dead, his belief in the Crosstown “family”, the Rebel...

Damian Lazarus is the leader of Crosstown Rebels — not just a label, but a globe-trotting party and network of like minded artists. Celebrating 10 fiercely independent years of always innovative house and techno in 2013, the Lazarus man opens up about his path to dancefloor domination