Skip to main content

Search


Results for: East Coast

We asked garage MC Craig David some quick fire questions...

 

“Six nominations, no Brits for CD,” sang Craig David at the 2001 Brit Awards. It's a moment that sums up the rollercoaster ride of...

We talk to the idiosyncratic producer ahead of his new album for FlyLo's label

A visual artist as well as a musician, Mtendere Mandowa knows there are always different ways of looking at things. In fact, it’s only recently...

Sónar Festival founder Enric Palau looks back at the event’s first quarter of a century with DJ Mag’s Sónar veteran Ben Osborne...

From 17th from 20th July, Sónar, one of the world’s leading festivals of electronic music, art and technological innovation, will return to Barcelona for its 25th year, and...

Amsterdam Dance Event kicks off next week, turning the city into an electronic music playground for five days. We've scoured the programme for the best...

The Dre Beat Pro Headphones come with a “bling” price tag, but do they represent the real beat on the street?

In terms of musical franchises, Dr. Dre seems to have hit payday gold with his Beats by Dre headphones and laptop range. But are these...

The parties not to miss at ADE 2014

Canals and weed is all you need. Throw in a jammed schedule of the sickest parties — excellently programmed and expertly produced — and you've...

DJ Mag charts the history of the Aus dance scene, and why the future looks bright...

Shrimps on the barbie, Crocodile Dundee, Bondi Beach, Steve Irwin, Kylie Minogue, the Sydney Opera House; Australia has always touted — for better or worse...

Photo of Bad Snacks wearing a pink and blue jumper against a pink background

In life’s messier moments, it’s only natural to seek out a place of comfort. On her new ‘Home Music’ EP, the violinist and producer known as Bad Snacks tells the story of how she regained a sense of belonging through soaring instrumentals and a soothing spin on upbeat house

There’s something inherently comforting about the “This Is Fine” meme. You know the one, where the dog is smiling numbly into the abyss, enjoying his...

The latest and greatest DJs and producers rising to the top this month. From haunting experimental sound design and rare funk to lush drum &...

‘Grey Area’ is the most raw and direct record yet from Little Simz. DJ Mag talks to the MC and visionary about being in the...

As listeners to the best music in 2019, we’ve become used to the fact that the stuff we dig probably won’t find its way into...

The veteran Chicago funk/soul aficionado tells us about ten favourite tunes, crucial to his musical journey...

Sadar Bahar recently played a set for our DJ Mag HQ live stream and it was a journey into rare feel-good funk and disco 7-...

AKAI's latest hardware releases are going to delight Serato DJ fans...

 It is no secret that the makers of the two leading DJing platforms, namely Serato and Native Instruments, are in fierce competition with each...

Steinberg’s WaveLab 7 sets tongues wagging in the studio world

Steinberg first released WaveLab in 1995, and since then it has been at the forefront of audio editing and mastering software. It has been a...

Timo Maas added to confirmed line-up

With the Ibiza season now open, and having raved it up at the special-two day opening of Space (with a little DC10 afterwards for good...

Charting the rise from DJing at seminal Nottingham outpost The Bomb to his current role as the musical polymath behind Leftroom Records.

The slow burn. That has always been Matt Tolfrey's modus operandi. He's more concerned with foundations, with building a family of likeminded house heads around him rather than surrounding himself with people who can advance his career.