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As live streams dominate our feed, we outline five ways to stand out from the crowd

As electronic music and live performance continue to intertwine, our new series explores how some of the best artists take their studios on the road...

Ahead of their Native Instruments Session panel and live set at AVA London on Friday 16th March, we caught up with Dark Sky to...

Cheeky bubblers incoming...

Fan of fresh talent? Then you're going to love this! Each month, the editorial team at DJ Mag HQ rummages through our collective Soundclouds and...

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German techno DJ/producer Helena Hauff is riding the crest of a wave right now. An analogue freak signed to Ninja Tune-affiliate label Werkdiscs — the...

Josey Rebelle is a reluctant cover star. The North London DJ's career has been a real slow burn, building a loyal UK fanbase through her Rinse...

In November 1994, London pirate station Kool FM celebrated its third birthday at the Astoria. The party caused havoc on Tottenham Court Road when thousands...

Photo of the Xone:92 mixer on a black background

Allen & Heath’s Xone:92 celebrates its 20th anniversary this year. Remaining an industry standard, the mixer has stood the test of time. Here, DJ Mag’s tech editor, Mick Wilson, takes a look at the history, the heritage, and the enduring importance of this well-loved, if polarising, piece of DJ technology

When development for the Xone:92 began in early 2003, Andy Rigby-Jones, Xone founder and then Allen & Heath’s design manager, felt he could push the...

Photo of colourful lights and a large crowd at Simple Things 2024

Returning to the city after a five-year hiatus, Simple Things delivers a 10th anniversary programme that celebrates Bristol’s vibrant music scene whilst welcoming a kaleidoscope of international sounds into the fold. DJ Mag’s Olivia Stock reports back

There’s always been a certain irony to Simple Things, in that, there’s nothing really simple about the Bristol festival at all. Its line-up sprawls across...

Turntablist and producer Jon1st delivers his annual end of year megamix via the On Cue series: a tempo-shifting set of hyped-up breaks, turbo-charged drum &...

With an IRL event impossible this year, the team behind Belgian mega-festival Tomorrowland created a revolutionary interactive virtual world in under three months. Here’s how...

Tomorrowland has never been one for subtleties. As the Belgian festival scaled up from more humble beginnings in 2005, the Boom location became an array...

Beardyman is turning music making into a sport with his One Album An Hour show...

He's a funny sort of bloke, is Beardyman. Quite literally; a career founded on quick wit, and what he describes as the “inherently silly” art...

Funk-dripped drum & bass head plays us his most inspiring tracks

Always that most steadfastly independent genre, today drum & bass is splintered into a panoply of micro camps. In one corner, the giant, fizzy-pop electro chords and high fructose rushes of labels like Hospital; in another, the clipped, dark minimalism and sub bass caverns of its most underground soldiers, the Critical crew.

Another year, another fantastic Outlook!

Every year, 16,000 or so bass music fans make the pilgrimage from all over the world to a small coastal town in Pula, Croatia for...

We chat to the UK dance king Eats Everything

Dan ‘Eats Everything’ Pearce is massive. Not just in stature (much as he likes to take the piss out of his occasionally generous girth), but...

UK duo Dusky are this month's DJ Mag cover stars...

“There’s definitely a stigma attached to progressive house but someone like Sasha is one of the most influential DJs ever,” Nick states. “A lot of...

With summer's subterranean smash tune ‘Jack’ signed to a major and chart success beckoning, Ben Westbeech, aka Breach, tells us how he’s heading for the...

Pop music has always run from the sublime to the irredeemable. The charts have rotated from gold to grot since the dawn of the Hit Parade, and the model doesn’t look likely to change anytime soon. So whilst there are always dark periods when commercial radio is little more than a cemetery of tired ideas, dug up and forced to fandango one more time, every now and then a new generation of musicians kick down the door, reset the rules, and party ‘til the lights come on.