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Results for: 2010s

LTJ Bukem

Mixing elements of jazz and ambient with drum & bass, LTJ Bukem’s now-classic 1996 release via Good Looking Records was a statement of intent, and remains one of the genre's most fulfilling and impactful releases to this day 

For many music fans in the 1990s, their immersion into jungle and drum & bass started not with Goldie’s celebrated ‘Timeless’ or Roni Size /...

Dennis Ferrer press shot

The New York house stalwart got into fishing during lockdown, a new hobby that brought more serenity and balance to his life while his studio was out of action for a year and a half. Now, he's ready to hit South Beach for our Miami Pool Party

The idiom ‘gone fishing’ means to take a break from the everyday or be totally unaware of what is going on around you. Both of...

Numark’s NS7 controller threatened to bring back real deck control to the digital DJ community but didn’t quite get a firm foothold. But with their...

It was almost a year ago to this day when Numark sent over the NS7 for us to play on and enjoy. We were suitably...

Wacom’s Nextbeat 1000 all-in-one DJing device is out to totally transform how DJs work the crowd. But will it please, or is it just a...

Wacom are not your usual DJ kit manufacturer. In fact they are one of the leading lights in the computer tablet and touchpad market so...

Carl Cox reveals how he marries his old skool values with up-to-the-minute DJing technology...

Carl Cox is one of the true grand masters of dance music. Back in the day, who wasn’t amazed to see Carl spin on three...

DJ Nite Fleit sat looking down and to the right on a dark red background with a pinkish red light across her face

Italy-based, Australia-born DJ and producer Nite Fleit has made her name with tough-as-nails electro, but her recently-released debut album reveals a more emotional side. Alongside a storming mix for the Recognise series, she speaks to Claire Francis about her formative years in Melbourne, her natural flair for DJing, and how making music helps with her ADHD

There’s lots of smiles and laughter when DJ Mag speaks to Alysha Fleiter, and the 34-year-old Australia born, newly Italy-based DJ and producer certainly has...

On Cue: Warlock

South London-based Warlock has been DJing since 1989, and has watched the UK scene evolve through countless phases. He’s taken that history with him, but as Ben Hindle discovers, he is driven by a dedication to the new. His On Cue mix goes from 130 - 210 BPM, and demonstrates his genre-mashing sound

Warlock. The word conjures images of hooded figures casting dark magic. In dance music circles, it refers to a man who wields similarly arcane power...

Following the massive 'Mr Spock', Dirtybird's Justin Martin finally gets the props he deserves...

San Francisco’s Dirtybird Justin Martin has been bubbling under for years as your favourite underground DJ/producer. But the amiable tech house nut has his sights...

She's built a rock-solid unit that's celebrating a decade of electronic music brilliance this year...

It’s the 1st May. ‘May Day’ public holiday in Berlin, traditionally the time when the city transforms from the grey, oppressive bleakness of its...

Knucks is leading UK rap's new wave

A rapper, producer and head of the No Days Off brand, Knucks smashed into the UK album charts this year with his ‘Alpha Place’ project, presenting his ‘chill drill’ sound in all its evolved glory. His triumphant homecoming show at KOKO in Camden saw collaborators like Stormzy, SL, Youngs Teflon and Ragz Originale join him on stage. Here, Yemi Abiade meets the Londoner to learn how there are now no limitations on his future

It’s late May in North London. The sun is setting with a burning intensity that only a summer’s evening in this concrete jungle can provide...

Inside the UK Afro house renaissance

The Afro house sound is an ever-growing presence in UK dance music, with new labels, club-nights and a dedicated radio station springing up. Alongside a mix from Mr Silk, Ria Hylton explores the sound’s history, and speaks to some of the scene’s key players about forging strong connections with their growing audiences, and their aim to nurture a unique UK Afro house identity

Afro house is steeped in the percussive materials of South Africa’s townships. For decades, its polyrhythms played out on traditional African instruments — bongos, congas...

Before COVID turned the world upside down, Avalon Emerson was so busy DJing, touring, producing and remixing, she was close to burnout — but the...

Eighteen months ago, some of Avalon Emerson’s wishes came true. The first was for 2020 to be “the year of prioritising sleep”, during which she...

Photo of Dirty K next to the packshots of releases chosen in his Selections

In this series, we invite DJs, producers and label heads to dig into their digital crates and share the contents of their collections. This week, Dirty K charts a history of ‘90s and early ‘00s East Asian rave music in ten tracks

The hyperactive tracks on Chinese producer Dirty K’s ‘Myogi 妙義’ EP serve a dual purpose. Released via Eastern Margins – a London-based label dedicated to...

The Avalanches’ debut ‘Since I Left You’ is one of electronic music’s all-time classics, a sample-heavy travelogue which charmed the globe in 2000-01. Then they...

There’s a phenomenon which takes place when you ride the Shinkansen between Tokyo and Kyōto. Bulleting past Mount Fuji at 199 miles per hour opens...

Photo of Eamon Harkin and Justin Carter DJing sitting on a green sofa in a pink-lit warehouse

In early 2009, Eamon Harkin and Justin Carter launched Mister Saturday Night. The party formed the roots of what would eventually become the beloved nightspot Nowadays, a “by us, for us” club that’s become a community hub for NYC’s nightlifers. Following the release of a sprawling box-set to mark the party’s 15th anniversary, and alongside a mix recorded live from the club, Harkin, Carter and a few of the compilation’s featured artists fill us in on what makes Mister Saturday Night so special

It began, as many projects do, because of a nagging discontent with the way that things were. It was the late ’00s, and New York...