Mo’Wax was undoubtedly one of the most important British record labels of the 1990s, showcasing a kind of retro futuristic approach to art, where aesthetic...
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DJ Shadow's debut album, 'Endtroducing.....', released via UK label Mo'Wax Records in 1996, presented abstract, instrumental hip hop as a worthy deviation from the...
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In DJ Mag's March artist charts, four DJs select their top 10 tracks of the month, spanning moody jungle, '90s acid, classic reggae and dubby...
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Continuing the legacy of his Lovefingers blog, Andrew Hogge’s ESP Institute is a truly anything-goes imprint, unbound by genre or style. Alongside a mix from its catalogue, he tells Anna Wall about how how his DIY attitude and digger’s mentality has helped him unearth countless new musical gems
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Chicago-born, New York-based footwork artist DJ Manny channels the hyper-personal, R&B-influenced sound of his new Planet Mu album ‘Signals In My Head’ in his masterful...
The Natural Born Spitta Speaks
Air guitar contests are generally considered an oddity, so when I entered one last weekend (no, I didn't win) and saw a competitor accompanied by...
Second album 'Vapor City' is a hypnagogic masterpiece...
The idea of a footwork concept album might seem at odds with the stuttering functionality of its Chicago roots, but then Machinedrum, aka US-born Travis Stewart, has always used its 170bpm tempo as a template for more otherworldly experiments.
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1st May 1994 was the first big London protest against the looming Criminal Justice Bill, the piece of legislation that first proscribed a genre of music — rave music, “wholly or predominantly categorised by the emission of a succession of repetitive beats” — in law. Despite widespread demonstrations at what was seen as draconian power-grabs by the UK authorities, the Bill became law later in 1994. Here, Harold Heath looks back at the reaction from the dance music community at the time, and the Act’s lasting impact on the rave scene today
After a life-changing epiphany at Nevada's Burning Man festival, dance music icon Carl Cox is back with a bang, with an incredible new two-CD mix...
Given his illustrious career, now into its fourth decade lest we forget, you'd be forgiven for assuming that Carl Cox was long past the point...
Techno rises in the heart of the Midwest and with it, a bold call to action.
DJ Mag meets Lisa Smith on a winter afternoon in The Black Madonna’s crowded Chicago apartment. A large film crew is staging lighting...
After a trip to South Africa, an engagement with politics and a need to explore new musical avenues, these Bears have teeth.
“If someone said to you ‘Jesus is drinking in a pub in Elephant and Castle’ you’d go and have a look wouldn’t you?” Well, bearded...
London producer Swindle draws on assorted jazz, hip-hop, funk and dubstep influences in his great new album 'Long Live The Jazz'.
“I know what you mean, like on ‘Forest Funk’. I played that guitar! I just do what feels right. I mean, I’ve grown up around great music, especially jazz and funk and of course drum & bass, garage and everything else. I just like to play around. I’ll play with any instrument that I can get my hands on. A little bit of madness. I like to try and get my head working crazy, to make crazy music.”
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Hunee is the fearless DJ with super-eclectic taste. As happy dropping disco, African rarities, vintage Italo, boogie or up-to-the-minute electro, he’s refused to compromise on...
It’s mid-summer 2016 and Jeremy Underground is spinning on the main stage at Farr Festival in Bygrave Woods. High above the packed crowd in front...
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A violinist, beat maker and vocalist with a talent for humorous yet heartfelt lyricism, Sudan Archives new album ‘Natural Brown Prom Queen’ is out now on Stones Throw. She speaks to Christine Ochefu about her open-book writing style and her determination to follow her own path
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Saint Petersburg’s rising star in jungle, footwork and hybrid bass music, A.Fruit, records a 100% productions mix for the Recognise series, and chats to Kamila...
An interview with Krafty Kuts
Krafty Kuts, aka Martin Reeves, is hands-down one of the most enthusiastic and hard-working men in music. In an exclusive interview with DJmag.com’s Jessica Seckington...